In This Edition of
The BookBrowse Review
The BookBrowse Review
Published January 24, 2024
ISSN: 1930-0018
The BookBrowse Review
Published January 24, 2024
ISSN: 1930-0018
Contents
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Literary Fiction
Historical Fiction
Short Stories
Essays
Poetry & Novels in Verse
Mysteries
Thrillers
Romance
Fantasy, Sci-Fi, Speculative, Alt. History
Biography/Memoir
History, Current Affairs and Religion
Science, Health and the Environment
Literary Fiction
Historical Fiction
Poetry & Novels in Verse
Thrillers
Romance
Fantasy, Sci-Fi, Speculative, Alt. History
Biography/Memoir
| Critics: |
From "one of the most original minds in contemporary literature" (Nick Hornby) the bestselling and award-winning author of Golden Hill delivers a noirish detective novel set in the 1920s that reimagines how American history would be different if, instead of being decimated, indigenous populations had thrived.
Like his earlier novel Golden Hill, Francis Spufford's Cahokia Jazz inhabits a different version of America, now through the lens of a subtly altered 1920s—a fully imagined world full of fog, cigarette smoke, dubious motives, danger, dark deeds. And in the main character of Joe Barrow, we have a hero of truly epic proportions, a troubled soul to fall in love with as you are swept along by a propulsive and brilliantly twisty plot.
On a snowy night at the end of winter, Barrow and his partner find a body on the roof of a skyscraper. Down below, streetcar bells ring, factory whistles blow, Americans drink in speakeasies and dance to the tempo of modern times. But this is Cahokia, the ancient indigenous city beside the Mississippi living on as a teeming industrial metropolis, filled with people of every race and creed. Among them, peace holds. Just about. But that corpse on the roof will spark a week of drama in which this altered world will spill its secrets and be brought, against a soundtrack of jazz clarinets and wailing streetcars, either to destruction or rebirth.
"This richly imagined and densely plotted story refreshes the crime genre and acts as a fun house mirror reflection of contemporary attitudes toward race—all set to a thumping jazz age soundtrack. Standing alongside Orson Scott Card's Alvin Maker series and Michael Chabon's The Yiddish Policemen's Union, this is a challenging evocation of an America that never was." —Publishers Weekly (starred review)
"A richly entertaining take on the crime story, and a country that might've been." —Kirkus Reviews (starred review)
"Gritty.... Spufford has written an astounding homage to noir mysteries. A poignant drama-filled novel that his fans and readers of Cormac McCarthy's Blood Meridian will thoroughly enjoy." —Library Journal
"Cahokia Jazz is a novel about finding one's place in the world. It is haunting, wholly memorable, and will leave you with an ache." —Times Literary Supplement (UK)
"One of the signal achievements of this exceptional novel is the generosity and rigour with which it conjures up Cahokia. Spufford's creation absolutely feels like a place you could visit, or could have visited, if you happened to be travelling westward across the United States in the year of modernism, 1922... . As a piece of narrative entertainment, Cahokia Jazz is more or less unimprovable." —Irish Times
"A marvellous deep-layered tale of treachery and trickery." —Independent (UK)
"[A] thrilling leap into alternative history ... a murder mystery that doesn't let up ... Like the city and world it depicts, this is a complicated book that offers many layers of pleasure... . Above all, there's the joy that comes from seeing a profusion of love and care poured into a fully original piece of work." —Financial Times (UK)
"Gutsy and atmospheric ... [a] generous slice of noir." —Mail on Sunday (UK)
"Stylish and ambitious … [Spufford's] most crowd-pleasing novel yet." —The Times (UK)
"Cahokia Jazz is a delight." —Sunday Telegraph (UK)
Francis Spufford began as the author of four highly praised books of nonfiction. His first book, I May Be Some Time, won the Writers' Guild Award for Best Nonfiction Book of 1996, the Banff Mountain Book Prize, and a Somerset Maugham Award. It was followed by The Child That Books Built, Backroom Boys, and most recently, Unapologetic. But with Red Plenty in 2012 he switched to the novel. Golden Hill won multiple literary prizes on both sides of the Atlantic; Light Perpetual was longlisted for the Booker Prize. In England he is a Fellow of both the Royal Society of Literature and the Royal Historical Society. He teaches writing at Goldsmiths College, University of London.
Other books by this author at BookBrowse:
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