The BookBrowse Review

Published January 24, 2024

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Happiness Falls
Happiness Falls
A Novel
by Angie Kim

Hardcover (29 Aug 2023), 400 pages.
(Due out in paperback May 2024)
Publisher: Hogarth Books
ISBN-13: 9780593448205
Genres
BookBrowse:
Critics:
Readers:
  

When a father goes missing, his family's desperate search leads them to question everything they know about him and one another in this thrilling page-turner, a deeply moving portrait of a family in crisis from the award-winning author of Miracle Creek.

"We didn't call the police right away." Those are the electric first words of this extraordinary novel about a biracial Korean American family in Virginia whose lives are upended when their beloved father and husband goes missing.

Mia, the irreverent, hyperanalytical twenty-year-old daughter, has an explanation for everything—which is why she isn't initially concerned when her father and younger brother Eugene don't return from a walk in a nearby park. They must have lost their phone. Or stopped for an errand somewhere. But by the time Mia's brother runs through the front door bloody and alone, it becomes clear that the father in this tight-knit family is missing and the only witness is Eugene, who has the rare genetic condition Angelman syndrome and cannot speak.

What follows is both a ticking-clock investigation into the whereabouts of a father and an emotionally rich portrait of a family whose most personal secrets just may be at the heart of his disappearance. Full of shocking twists and fascinating questions of love, language, and human connection, Happiness Falls is a mystery, a family drama, and a novel of profound philosophical inquiry. With all the powerful storytelling she brought to her award-winning debut, Miracle Creek, Angie Kim turns the missing-person story into something wholly original, creating an indelible tale of a family who must go to remarkable lengths to truly understand one another.

One

Locke, Bach, and K-­pop

We didn't call the police right away. Later, I would blame myself, wonder if things might have turned out differently if I hadn't shrugged it off, insisting Dad wasn't missing missing but just delayed, probably still in the woods looking for Eugene, thinking he'd run off somewhere. Mom says it wasn't my fault, that I was merely being optimistic, but I know better. I don't believe in optimism. I believe there's a fine line (if any) between optimism and willful idiocy, so I try to avoid optimism altogether, lest I fall over the line mistakenly.

My twin brother, John, keeps trying to make me feel better, too, saying we couldn't have known something was wrong because it was such a typical morning, which is an asinine thing to say because why would you assume things can't go wrong simply because they haven't yet? Life isn't geometry; terrible, life-­changing moments don't happen predictably, at the bottom of a linear slope. Tragedies and accidents are tragic and accidental precisely because of their unexpectedness. Besides, labeling anything about our family "typical"—­I just have to shake my head. I'm not even thinking about the typical-­adjacent stuff like John's and my boy-­girl twin thing, our biracial mix (Korean and white), untraditional parental gender roles (working mom, stay-­at-­home dad), or different last names (Parson for Dad + Park for Mom = the mashed-­up Parkson for us kids)—­not common, certainly, but hardly shocking in our area these days. Where we're indubitably, inherently atypical is with my little brother Eugene's dual diagnosis: autism and a rare genetic disorder called mosaic Angelman syndrome (AS), which means he can't talk, has motor difficulties, and—­this is what fascinates many people who've never heard of AS—­has an unusually happy demeanor with frequent smiles and laughter.

Sorry, I'm getting sidetracked. It's one of my biggest faults and something I'm trying to work on. (To be honest, I don't like shutting it down entirely because sometimes, those tangents can end up being important and/or fun. For example, my honors thesis, Philosophy of Music and Algorithmic Programming: Locke, Bach, and K-­pop vs. Prokofiev, Sartre, and Jazz Rap, grew from a footnote in my original proposal. Also, I can't help it; it's the way my mind works. So here's a compromise: I'll put my side points in footnotes. If you love fun little detours like Dad and me, you can read them. If you find footnotes annoying (like John) or want to know what happened ASAP (like Mom), you can skip them. If you're undecided, you can try a few, mix and match.)

So, anyway, I was talking about the police. The fact is, I knew something was wrong. We all did. We didn't want to call the police because we didn't want to say it out loud, much the same way I'm going around and around now, fixating on this peripheral issue of calling the police instead of just saying what happened.

Here goes: my fifty-­year-­old father, Adam Parson, is missing. At 9:30 a.m. on Tuesday, June 23, 2020, he and my fourteen-­year-­old brother Eugene hiked to the nearby River Falls Park, the same as they had done most mornings since I'd been home from college for the quarantine. We know they made it to the park; witnesses have come forward, a dozen hikers and dog-­walkers who saw them together at various points around the waterfall trail as late as 11:10 a.m. At 11:38 a.m. (we know the exact time from the dashcam recording), Eugene was out of the woods, running in the middle of a narrow country road in our neighborhood, forcing a driver who'd run through a stop sign and turned too fast to swerve into a ditch to avoid hitting him. Just before the dashcam video jolts from the crash, you can see a fuzzy Eugene, not stopping, not turning, not even looking at the car or at anything else—­just stumbling a little, so close to the car you'd...

Full Excerpt

Excerpted from Happiness Falls (Good Morning America Book Club) by Angie Kim. Copyright © 2023 by Angie Kim. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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Please be aware that this discussion guide will contain spoilers!

  1. What were your first impressions of each member of the Parkson family? How did your perceptions evolve over the course of the novel?
  2. How would you describe Mia's voice as a narrator? Is she "reliable"? How would the book be different if Angie Kim had written it in the third person?
  3. How did the structure of the book, including footnotes and charts, influence your reading experience?
  4. Discuss the relationships between the Parkson siblings—and among the threeof them. What do they learn about one another? How do you envision their relationships evolving after the events of the book?
  5. Do you think it can be more difficult to see the people closest to us as they really are? Why or why not?
  6. As Kim explores in Happiness Falls, we tend to equate oral fluency with intelligence (and vice versa). How did the character of Eugene challenge your assumptions about nonspeaking people?
  7. How does race—including the perceived race of mixed-race characters—play into the novel? What biases and stereotypes must each character contend with?
  8. Discuss Adam's Happiness Quotient project. Do you agree with his theories? What do you consider your baseline? Do you think it needs adjusting? Do you think it's possible to intentionally lower it? If so, do you think that would make you happier?
  9. Do you think Adam was right to keep Eugene's progress from the rest of the family? Why or why not?
  10. What did you think of the ending? What do you think really happened—did Eugene repeat parts of John and Mia's conversation, either subconsciously or intentionally? Was the note real? Do these answers matter?

 

Unless otherwise stated, this discussion guide is reprinted with the permission of Hogarth Books. Any page references refer to a USA edition of the book, usually the trade paperback version, and may vary in other editions.

A riveting suspense novel that addresses biases towards marginalized groups.

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Fourteen-year-old Eugene shows up bloody and alone at his doorstep the evening his father disappears. His siblings, John and Mia, don't ask him any questions. The thought to do so doesn't cross the mind of Eugene's mother, Hannah, either. Detectives also ignore him, even though he allegedly was the last to see his father. Eugene has a rare genetic condition called Angelman syndrome, which renders him unable to communicate through speech. His family struggled for years to converse with him, and they have almost entirely resigned trying, as have others around him. Told from Mia's perspective, Angie Kim's Happiness Falls is a unique mystery where a missing father is just the beginning of a family really getting to know each other. It demands that readers take a look into their own preconceptions of people in their lives, both those they have interacted with regularly and those they don't know, including the more marginalized of society — this novel is about everyone being seen as multidimensional.

My favorite parts of Happiness Falls are the memories Mia recounts. They almost always include the whole family, and serve as a way for Kim to tell readers about characters' past and present selves — about how Mia and John almost telepathically communicate as children, about Eugene's feeling seen in his relationship with his grandmother, then about heartbreaking moments where he isn't seen at all. Each memory spotlights individuals while also characterizing everyone else involved.

Eugene's lack of vocalization informs every character's assumption that he is not worth intellectually interacting with. If only someone would try to communicate with him, they would be much closer to knowing what happened to his father. Kim articulates the complexity of this situation well and with grace.

As much as I loved Happiness Falls, some directive choices made it a little less enjoyable for me, including Mia as the first-person narrator. Though I usually prefer unlikeable characters, as Mia can be, she seems like the least interesting character in the novel and a vessel for the story, as opposed to a whole person. Even with her thoughts and meditations throughout the narrative, I couldn't really connect with and invest in her. I connected better with everyone else, no matter how little or much could be gleaned from their characters. To me, Mia felt more like a third-person limited speaker with a bit of a voice.

In fact, I felt the most emotionally invested in Eugene. Within all of Kim's wonderful writing, I was still left so curious about Eugene's personhood outside the context of his disability and familial relationships. Most of the characterization we get of Eugene is tied to his lack of speech, but he feels like such a core part of the novel that I wanted more of him.

That said, Happiness Falls is not only a great suspense novel where every page pulls you toward the edge of a horrific cliffhanger, it is also a novel that confronts you. It alerts you to the possibility of biases you might harbor in your own life. It wakes you up — both in the sense that you can't rest amid its intense mystery, and in how it demands you really see others for who they are, regardless of how they might look on the outside.

Reviewed by Lisa Ahima

Elle
A riveting, suspenseful read that doubles as a nuanced family tale.

People (Book of the Week)
This riveting missing-person thriller is really a meditation on happiness that illuminates the power of language and challenges readers' stereotypes.

The Atlanta Journal-Constitution
Angie Kim's powerhouse of a novel offers a probing exploration of the intersection of communication, speech and intelligence that not only gives voice to a silenced population but concludes with a fantastic twist.

The Boston Globe
One of the smartest, most multi-layered mysteries of the year ... Deftly crafted and truly riveting, this novel about heartache and hope, the author's second, proves Kim is a powerful voice that's here to stay.

The Washington Post
[A] deliciously brainy new thriller ... Happiness Falls dares to unlock the enigma of love at the molecular level while serving up a page-turner.

USA Today
Both a page-turner and a meditation on a family in crisis ... full of gorgeous writing, surprising twists, and personal secrets.

CrimeReads
Kim uses the parallel investigations of police and family to explore the complex dynamics of interracial marriage, Asian and biracial identity in America, and the nuances of raising a child with special needs. You'll want to savor every word as Kim plunges the depths of human action and finds love at the center.

Oprah Quarterly
With unexpected humor and aching tenderness, the bestselling author of Miracle Creek forces us to reckon with our definitions of family, ability, and happiness.

Booklist (starred review)
A philosophical family drama that is as page-turning as it is thought-provoking. Book groups will find much to discuss here, especially those who like Celeste Ng.

Kirkus Review (starred review)
The claim that a book will change your life often seems like exaggeration. Here the potential is real.

Publishers Weekly
Readers will be fascinated with how Kim bends the structure of a whodunit to serve a broader exploration of the dynamics of human relations and moved by her skill at wresting joy from tragedy.

Write your own review

Rated 5 of 5 of 5 by Robin
The Key to Happiness
The book not only seeks to unravel the mystery of a missing father but offers reflections on happiness, musings on the assumptions we all make, and parses out decision making processes. While that might seem like too much for one novel to bear, Angie Kim handles it all ably. The author’s note is a great resource, be sure to read it.

Rated 5 of 5 of 5 by Gloria M
Imaginative Plot!!
Angie Kim is an excellent writer! This is evident from her choice of quotes to comprise her epigraph at the very beginning of "Happiness Falls." Some readers may be initially reluctant to choose a GMA Book Club selection as it is too "popular/trendy" but, at least in this case, that would mean missing one of the best novels of the year.

The plot is imaginative, the characters are compelling and the musings about life and purpose and the connections to our loved ones are thought provoking. Mia is the twenty year old narrator of this tale about a crisis experienced by a Virginian family. Her father is missing and a page turning mystery rapidly unfolds. The personal drama and secrets of Mia, her mom, her dad, her twin brother John, and her younger brother Eugene (suffering from a rare genetic disease and unable to speak) are slowly revealed, layers of a large onion gradually pulled away.

The elements of philosophy and purpose and deep questions regarding our human connections will prove relevant to most readers. It is a well woven piece of fiction and it is difficult to reveal more without divulging spoilers and disrupting the fun of discovering all the details. Without question this book deserves five stars. The characters, the emotions it generates and the musings it inspires will remain in the reader's thoughts for quite some time.

Rated 5 of 5 of 5 by Techeditor
Amazing
I didn't see how Angie Kim could do better than her earlier book, MIRACLE CREEK. But I'm happy to tell you she did. I'm amazed with HAPPINESS FALLS and in more ways than one.

Mia tells the story that begins with her missing father. During her family's search for him, they learn many partial truths. Did they really know him as well as they thought?

Even more so, this book is about Eugene, Mia's younger brother. He is autistic and also has Angelman syndrome, which is so misunderstood both in this story and in real life. They did not know Eugene as well as they thought.

HAPPINESS FALLS deals not only with a missing father but, also, a suspect brother who cannot communicate. In so doing it amazes as it takes on many issues and surprising twists.

And in the end, is there really a determination?

This review is of an advanced copy of HAPPINESS FALLS.

Rated 3 of 5 of 5 by Cathryn Conroy
An Overrated Novel: Disjointed Plot, One-Sided Characters, and Hyped-Up Prose
This is billed as a "thrilling page-turner": A married father of three children goes missing. Is he dead? If he is dead, was it an accident or murder? Was he kidnapped? Did he skip town with a possible paramour? If you, like me, choose to read this book thinking it's a mystery or thriller, you'll be confused at first…and then disappointed.

It's not a thriller. Or a mystery.

Instead, it's an intelligent treatise on the nature of happiness, a thoughtful, empathetic discourse on the difficulty of human communication and personal interaction and the bias against those who have trouble expressing themselves, and a probe about how much (or little) we know about our immediate family, the people with whom we are supposed to be the closest.

Taking place in June 2020 in a Northern Virginia suburb outside Washington, D.C.—so a few months after the Covid pandemic started and lockdown began—this is the story of Adam Parson and Hannah Park and their three children: John and Mia, who are college-age twins, and 14-year-old Eugene, who is not only autistic, but also has Angelman syndrome, leaving him unable to verbally communicate. Adam is a stay-at-home dad, who spends hours and hours with Eugene, working with him in therapy. On the morning Adam disappeared, he and Eugene had been in a park overlooking the Potomac River. Something happened to greatly upset Eugene, who ran home without his father, something he had never done. Adam never came home. Eugene is the only one who knows what happened to his dad, but he can't communicate.

This story is sidetracked early on as Mia, in whose somewhat annoying/know-it-all first person voice the book is narrated, rambles on and on and on about many other things than the mystery at hand. Perhaps author Angie Kim is trying to mimic a 20-year-old's voice, but some of the sentences are so digressive and longwinded at more than 150 words, that it's hard to keep up as the reader.

I found the plot disjointed, the characters one-sided, and too many of the plot's little twists and turns not believable. The prose was often hyped-up, as if on steroids. While parts of the novel were riveting, most of it was just exhausting to read.

And the mystery of Adam's disappearance? It's resolved in a most unsatisfactory way—that is, if you thought this was a mystery/thriller novel in the first place. It's all about expectations. And that's rather amusing, considering the premise of the novel's treatise on happiness is all about expectations.

I know I'm in the minority. So many professional and reader reviews raved about this book. Kirkus even gave it a starred review. But it just didn't work for me.

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Non-Speaking Authors Writing About Experiences of Language

Covers of Grodin's memoir and the two poetry books by Wolfond mentioned in article In Angie Kim's Happiness Falls, Eugene is diagnosed with Angelman syndrome, or AS, a neuro-genetic disorder caused by a chromosome-15 gene deletion on the maternal side. Most people with AS have limited speech and motor abilities. It is important to distinguish Angelman syndrome and other conditions that involve learning disabilities from anxiety-related speech conditions such as selective mutism. Some neurotypical people may believe non-speaking people are lacking in the understanding necessary for communication in general, when in fact their communication needs are simply not served by speech, as is the case for Eugene. The See Us, Hear Us campaign discusses how this attitude harms people in detail through a series of documentaries. While a non-speaking character is represented in Kim's novel, it is important to note there are non-speaking people who are actively involved in their own representation through writing.

Emily Grodin is a poet who has co-penned a memoir with her mother, Valerie Gilpeer, I Have Been Buried Under Years of Dust. The title is one of the first phrases Grodin wrote once she had access to the therapeutic and educational resources necessary to aptly communicate her thoughts, at the age of 25. Of her experiences, she tells Good Morning America, "Writing for me has quite literally allowed me to process certain events, but also the feeling of having a voice." Through her memoir, she communicates what it has felt like to be discredited throughout her life because she does not speak.

Adam Wolfond, author of The Wanting Way and Open Book in Ways of Water, is another non-speaking poet. He's interested in language beyond the bounds of verbal communication, and has done extensive research into the topic as a scholar and artist. An NPR article explains that he "collaborated with his mother on her Ph.D. dissertation, which examines the agency of language, how it emerges differently, and how its forms can be challenged. In their project S/pace, Wolfond uses sticks to create poetry, turning them in his hands to link sound with movement." Wolfond uses "language" as a verb, and sees poetry as a part of his body. He tells NPR, "[Poetry] is nature to me… And I think that non-speakers like me dance with language."

These are just a couple of examples of non-speaking artists who may soon become the loudest voices in the room, and I cannot wait to see the day they get their well-deserved recognition. As Jordyn Zimmerman, a non-speaking "advocate for all learners," insists: "Everyone has language… It is so important to understand that an IQ score doesn't consider our ways of being... When we start with the notion that everyone has the capacity to understand and use language, we can then provide access to the entire alphabet without controlling and manipulating a person with a disability by limiting their vocabulary."

Filed under Society and Politics

By Lisa Ahima

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