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Critics' Opinion:
Readers' Opinion:
First Published:
Oct 2013, 848 pages
Paperback:
Oct 2014, 864 pages
Book Reviewed by:
Sarah Tomp
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From the author of The Rehearsal comes a breathtaking feat of storytelling where everything is connected, but nothing is as it seems....
It is 1866, and Walter Moody has come to make his fortune upon the New Zealand goldfields. On the stormy night of his arrival, he stumbles across a tense gathering of twelve local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a prostitute has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely patterned as the night sky.
Eleanor Catton was only 22 when she wrote The Rehearsal, which Adam Ross in the New York Times Book Review praised as "a wildly brilliant and precocious first novel" and Joshua Ferris called "a mesmerizing, labyrinthine, intricately patterned and astonishingly original novel." The Luminaries amply confirms that early promise, and secures Catton's reputation as one of the most dazzling and inventive young writers at work today.
I
A Sphere within a Sphere
27 January 1866
Mercury in Sagittarius
In which a stranger arrives in Hokitika; a secret council is disturbed; Walter Moody conceals his most recent memory; and Thomas Balfour begins to tell a story.
The twelve men congregated in the smoking room of the Crown Hotel gave the impression of a party accidentally met. From the variety of their comportment and dress—frock coats, tailcoats, Norfolk jackets with buttons of horn, yellow moleskin, cambric, and twill—they might have been twelve strangers on a railway car, each bound for a separate quarter of a city that possessed fog and tides enough to divide them; indeed, the studied isolation of each man as he pored over his paper, or leaned forward to tap his ashes into the grate, or placed the splay of his hand upon the baize to take his shot at billiards, conspired to form the very type of bodily silence that occurs, late in the evening, on a public railway—deadened here not by the slur and clunk of...
Booker Prize
2013
This is a book for a patient reader – one who is willing to savor the small moments and precise painting of a town and the characters living within its boundaries. With the meticulous attention given to detail, it is as though Catton is building a place and populating it too. Both the characters and the plot are complex and complicated. At times I felt as though I was working a sort of puzzle, trying to fit together pieces I wasn't sure were from the same box...continued
Full Review
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(Reviewed by Sarah Tomp).
Peter Hobbs, author of In the Orchard, the Swallows
Sometimes – rarely – a novel arrives that is so good all you can do is shake your head in wonder. Brilliant in design, masterful in execution, and intensely pleasurable to inhabit, The Luminaries is a masterpiece, the work of a writer of apparently limitless range and talent. Jay Parini, author of The Last Station
All really good books shatter their generic origins, becoming a thing unto themselves. But rarely has this axiom held more firmly than in Eleanor Catton's thrilling – in every sense – second novel. The sheer weight of the narrative might seem daunting; but dismiss that. She is among the finest of storytellers, drawing us forward through a labyrinth of lives, all of them converging in ways you could never easily imagine. I didn't want this novel to end.
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