It had been after tutoring one day that Ashimas mother had met her at the door, told her to go straight to the bedroom and prepare herself; a man was waiting to see her. He was the third in as many months. The first had been a widower with four children. The second, a newspaper cartoonist who knew her father, had been hit by a bus in Esplanade and lost his left arm. To her great relief they had both rejected her. She was nineteen, in the middle of her studies, in no rush to be a bride. And so, obediently but without expectation, she had untangled and rebraided her hair, wiped away the kohl that had smudged below her eyes, patted some Cuticura powder from a velvet puff onto her skin. The sheer parrot green sari she pleated and tucked into her petticoat had been laid out for her on the bed by her mother. Before entering the sitting room, Ashima had paused in the corridor. She could hear her mother saying, "She is fond of cooking, and she can knit extremely well. Within a week she finished this cardigan I am wearing."
Ashima smiled, amused by her mothers salesmanship; it had taken her the better part of a year to finish the cardigan, and still her mother had had to do the sleeves. Glancing at the floor where visitors customarily removed their slippers, she noticed, beside two sets of chappals, a pair of mens shoes that were not like any shed ever seen on the streets and trams and buses of Calcutta, or even in the windows of Bata. They were brown shoes with black heels and off-white laces and stitching. There was a band of lentil-sized holes embossed on either side of each shoe, and at the tips was a pretty pattern pricked into the leather as if with a needle. Looking more closely, she saw the shoemakers name written on the insides, in gold lettering that had all but faded: something and sons, it said. She saw the size, eight and a half, and the initials U.S.A. And as her mother continued to sing her praises, Ashima, unable to resist a sudden and overwhelming urge, stepped into the shoes at her feet. Lingering sweat from the owners feet mingled with hers, causing her heart to race; it was the closest thing she had ever experienced to the touch of a man. The leather was creased, heavy, and still warm. On the left shoe she had noticed that one of the crisscrossing laces had missed a hole, and this oversight set her at ease. She extracted her feet, entered the room. The man was sitting in a rattan chair, his parents perched on the edge of the twin bed where her brother slept at night. He was slightly plump, scholarly-looking but still youthful, with black thick-framed glasses and a sharp, prominent nose. A neatly trimmed mustache connected to a beard that covered only his chin lent him an elegant, vaguely aristocratic air. He wore brown socks and brown trousers and a green-and-white-striped shirt and was staring glumly at his knees.
He did not look up when she appeared. Though she was aware of his gaze as she crossed the room, by the time she managed to steal another look at him he was once again indifferent, focused on his knees. He cleared his throat as if to speak but then said nothing. Instead it was his father who did the talking, saying that the man had gone to St. Xaviers, and then B.E. College, graduating first-class-first from both institutions. Ashima took her seat and smoothed the pleats of her sari. She sensed the mother eyeing her with approval. Ashima was five feet four inches, tall for a Bengali woman, ninety-nine pounds. Her complexion was on the dark side of fair, but she had been compared on more than one occasion to the actress Madhabi Mukherjee. Her nails were admirably long, her fingers, like her fathers, artistically slim. They inquired after her studies and she was asked to recite a few stanzas from "The Daffodils." The mans family lived in Alipore. The father was a labor officer for the customs department of a shipping company. "My son has been living abroad for two years," the mans father said, "earning a Ph.D. in Boston, researching in the field of fiber optics." Ashima had never heard of Boston, or of fiber optics. She was asked whether she was willing to fly on a plane and then if she was capable of living in a city characterized by severe, snowy winters, alone.
Copyright © 2003 by Jhumpa Lahiri. Reprinted by permission of Houghton Mifflin Company.
Blood at the Root
"A gripping, timely, and important examination of American racism."
- PW Starred Review
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