Critics' Opinion:
Readers' rating:
Published Oct 2021
496 pages
Genre: History, Current Affairs and Religion
Publication Information
An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop.
Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities, shape-shifting across the years, giving us a way to track larger forces and controversies. In Major Labels, Sanneh distills a career's worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities.
As Sanneh unspools the stories of the genres that have defined popular music, the connections build, and big themes accrue momentum: the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn't transcendent. It expresses our grudges as well as our hopes, and it is motivated by greed as well as inspiration; music is a powerful tool for human connection, but also for human antagonism. The book will intoxicate music nerds, even as it serves as a heady gateway drug for occasional listeners, or even non-listeners. The opposite of a modest proposal, Major Labels takes on the whole extraordinary range of popular music over the past half century, and it pays in full.
"In this thrilling debut, New Yorker writer Sanneh surveys the past 50 years of popular music through the dominant genres that shaped it...fascinating...This remarkable achievement will be a joy to music lovers, no matter what they prefer to listen to." - Publishers Weekly (starred review)
"A lively, heartfelt exploration...Sanneh can be funny...snobbish, and even harsh, but it's clear that he's listened to just about everything with ears and mind wide open. A pleasure—and an education—for any music fan." - Kirkus Reviews (starred review)
"Kelefa Sanneh takes a very ambitious swing with this deep dive into a half century of American music...As both an engine of commerce and the driving force behind myriad cultural shifts, popular music has shaped American society in ways we can only begin understand. But it would be hard to find a better guide than Sanneh to help us try." - LitHub
"There have been many attempts at explaining the modern trajectory of pop music, but Major Labels is quite possibly the best version I've ever read. Kelefa Sanneh is pure talent: an engaging, efficient writer with insightful observations and an openness of mind other critics only pretend to possess. I'm sure other people will attempt to publish books like this in the future, but they probably don't need to. They should just read this one." - Chuck Klosterman
"Kelefa Sanneh has achieved the impossible. Major Labels somehow manages to unspool everything you need to know about 50 years of music, but more impressively, he makes you care about all of it. Even the stuff you don't care about. It's funny, it's personal and as a piece of writing, the book borders on poetry." - David Letterman
This information about Major Labels was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Kelefa Sanneh has been a New Yorker staff writer since 2008, before which he spent six years as a pop-music critic at the New York Times. He is also a contributor to CBS Sunday Morning. Previously, he was the deputy editor of Transition, a journal of race and culture based at the W. E. B. Du Bois Research Institute at Harvard University. His writing has also appeared in a number of magazines and a handful of books, including Shake It Up: Great American Writing on Rock and Pop from Elvis to Jay Z, a Library of America Special Publication, and Da Capo Best Music Writing (2002, 2005, 2007, and 2011).
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