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Book Reviewed by:
Valerie Morales
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A revelatory look at the tumultuous life of a jazz legend and American cultural icon
In the first biography of Billie Holiday in more than two decades, Paul Alexander—author of heralded lives of Sylvia Plath and J. D. Salinger—gives us an unconventional portrait of arguably America's most eminent jazz singer. He shrewdly focuses on the last year of her life—with relevant flashbacks to provide context—to evoke and examine the persistent magnificence of Holiday's artistry when it was supposed to have declined, in the wake of her drug abuse, relationships with violent men, and run-ins with the law.
During her lifetime and after her death, Billie Holiday was often depicted as a down-on-her-luck junkie severely lacking in self-esteem. Relying on interviews with people who knew her, and new material unearthed in private collections and institutional archives, Bitter Crop—a reference to the last two words of Strange Fruit, her moving song about lynching—limns Holiday as a powerful, ambitious woman who overcame her flaws to triumph as a vital figure of American popular music.
Coming soon.
Billie's relevance returns annually whenever "Strange Fruit" is either sung or discussed during Black History Month. It is her best-selling song and Alexander devotes an entire chapter to its rich history. His stirring prose evokes a camera following Billie all over the world. Billie at the Blue Note. Billie at the Monterey Jazz Festival. Billie at the Chatterbox Musical Bar. "No matter what the motherfuckers do to you, never let them see you cry" is one of my favorite Billie quotes resurrected in this biography because of the perception it creates, that Billie Holiday was confident — and she was at times. But her insecurities were pronounced. Male abandonment beginning with her father, whose name she carried, triggered self-loathing that drugs, alcohol, and violent men only exaggerated. The aggressive and continued harassment of government agencies until her death affected her. Here's something to understand about Alexander's biography of Billie: He isn't in awe of her, and therefore treats her like one would the non-famous if they earned the right to a public biography...continued
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(Reviewed by Valerie Morales).
Dan Morgenstern, executive director emeritus, Institute of Jazz Studies, Rutgers University
Making it as real as if you had been there, Paul Alexander has done an incomparable job bringing to life both elements of his title. He shows us the malice and ignorance of Billie's accusers and eventual killers, the love and support of friends, and her own courage and purity of heart. A must- read for all lovers of the immortal Lady Day. Don Winslow, New York Times best-selling author of City of Dreams
A nonfiction portrait of Billie Holiday that reads like a novel, Bitter Crop takes you into the rooms where she lived and the venues where she performed to give you a revealing, up-close look at a musical genius who became an American icon. A brilliant achievement! Gloria Steinem, award-winning author and political activist
The unfinished life of Billie Holiday haunts us. In Bitter Crop, Paul Alexander tells her story in a way that could put her soul and our questions to rest.In February 1959, Billie Holiday sang the anti-lynching song she popularized, "Strange Fruit," on the London television show Chelsea at Nine. She was battling liver disease because of a prodigious vodka and gin addiction. It was rare for Billie to sing "Strange Fruit" when she was this physically fragile.
"She just needed a reason to sing it," notes journalist Paul Alexander, author of Bitter Crop: The Heartache and Triumph of Billie Holiday's Last Year.
As Billie was known to do, she exaggerated the facts that night, telling the London audience it was a song written just for her. It wasn't.
"Strange Fruit" began as a poem titled "Bitter Fruit." It was written by a Russian Jew named Abel Meeropol, a Harvard University ...
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