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The Triumphant Story of the All-Black Musical that Changed the World (aka Footnotes)
Critics' Opinion:
Readers' Opinion:
First Published:
May 2021, 352 pages
Paperback:
Feb 2023, 352 pages
Book Reviewed by:
BookBrowse First Impression Reviewers
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The triumphant story of how an all-Black Broadway cast and crew changed musical theatre—and the world—forever.
If Hamilton, Rent, or West Side Story captured your heart, you'll love this in-depth look into the rise of the 1921 Broadway hit, Shuffle Along, the first all-Black musical to succeed on Broadway. No one was sure if America was ready for a show featuring nuanced, thoughtful portrayals of Black characters—and the potential fallout was terrifying. But from the first jazzy, syncopated beats of composers Noble Sissle and Eubie Blake, New York audiences fell head over heels.
When Broadway Was Black is the story of how Sissle and Blake, along with comedians Flournoy Miller and Aubrey Lyles, overcame poverty, racism, and violence to harness the energy of the Harlem Renaissance and produce a runaway Broadway hit that launched the careers of many of the twentieth century's most beloved Black performers. Born in the shadow of slavery and establishing their careers at a time of increasing demands for racial justice and representation for people of color, they broke down innumerable barriers between Black and white communities at a crucial point in our history.
Author and pop culture expert Caseen Gaines leads readers through the glitz and glamour of New York City during the Roaring Twenties to reveal the revolutionary impact one show had on generations of Americans, and how its legacy continues to resonate today.
Published in hardcover in May 2021 as Footnotes: The Black Artists Who Rewrote the Rules of the Great White Way
THE CROWD-PLEASER
1921
Opening night was going better than any of them could have expected, but the performers knew the rapturous applause was obscuring the truth; there was a good chance someone was going to get killed at any moment, and it was likely to be one of them. From backstage, they could hear that the controversial scene was upon them, and they hadn't forgotten the warning they had received about how the well-dressed white people in the audience might react when they saw it. While the men bore responsibility for what was about to go down, they weren't going to bear witness nor fall victim to it. Noble Sissle, who had been dubbed the greatest vocalist of his race, gathered Flournoy Miller and Aubrey Lyles, whose comically emotive brown faces were hidden beneath a layer of burnt cork. It was time for the three of them to quietly put their plan into motion. From the wings, they could see their leading players, Lottie Gee and Roger Matthews, taking center stage, which was the cue...
I feel this would be a good book for book clubs and especially those who enjoy reading about social justice issues (Ariel F). I came to Gaines's book knowing absolutely nothing about the beginnings of Black theater and honestly, little about Broadway in general. With his easy-to-read style and vivid descriptions, I found myself enthralled and rooting for the musical geniuses and their ambitious play (Melissa S). As a fan of Broadway musicals, I found this book a revelation and highly recommend it (Amy E)...continued
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(Reviewed by BookBrowse First Impression Reviewers).
A'Lelia Bundles, New York Times bestselling author of On Her Own Ground: The Life and Times of Madam C.J. Walker
With meticulous research and smooth storytelling, Caseen Gaines significantly deepens our understanding of one of the key cultural events that launched the Harlem Renaissance. Footnotes reminds us of the many talented, but forgotten, Black actors and musicians whose innovative productions helped shape our shared culture and history. Billy Porter, Tony and Emmy Award-winning actor
Shuffle Along was the first of its kind when the piece arrived on Broadway. This musical introduced Black excellence to the Great White Way. Broadway was forever changed and we, who stand on the shoulders of our brilliant ancestors, are charged with the very often elusive task of carrying that torch into our present. I am humbled to have been part of the short-lived 2016 historical telling of how far we've come, starring as Aubrey Lyles in Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed—and happy that Footnotes further secures his place in history. Brian Jay Jones, New York Times bestselling author of Jim Henson: The Biography
Remarkable...Caseen Gaines, a top-notch researcher and first-rate storyteller, vividly brings a colorful era to life, telling an important story that deserves to be better known. It's a major contribution to culture and history. Glen Berger, Emmy Award-winner and author of Song of Spider-Man: The Inside Story of the Most Controversial Musical in Broadway History
Think of history as a jigsaw puzzle. Caseen Gaines has unearthed one of those coveted, seemingly unremarkable pieces that suddenly turns a jumble of colors into a picture. A story of humans at once talented, flawed, courageous, blinkered, and visionary, Footnotes casts a valuable light on the role African Americans have played—and continue to play—in stage history. Rachel Chavkin, Tony Award-winning director of Hadestown
What a gift! Footnotes is beautifully written, with Caseen Gaines telling a story that is absolutely vital to both the past and future of the theater.
In Footnotes*, Caseen Gaines explores the production of Shuffle Along, the first all-Black musical to become a runaway success on Broadway. The show's appeal and popularity are credited in part to the talents of songwriting team Noble Sissle and Eubie Blake, who had a history of collaborating that predated their exceptional work on Shuffle Along.
Noble Sissle was born in Indianapolis, Indiana in 1889. He was inspired to pursue music by his father, who was a minister and church organist. After getting his start performing vaudeville as a young man, Sissle moved to Baltimore in 1915 and joined a musical group called Joe Porter's Famous Dixie Serenaders.
Eubie Blake was a Baltimore native, born James Hubert Blake in the city in 1887. He ...
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