Diane Ackerman typically takes as her subjects some of the more beautiful, mesmerizing, and sigh-inducing things on this earth, training her poet's pen on the magic of our five senses (A Natural History of the Senses), the mysteries of the brain (An Alchemy of Mind, 2004), the majesty of her garden (Cultivating Delight, 2001), the ecstasy and transcendence of play, (Deep Play, 1999), the activates of animals (The Moon By Whale Light, 1991), and romantic love (A Natural History of Love, 1990). She is known and much beloved for her deeply sensuous prose, her elaborate metaphor, her contagious delight in the world around her. So Ackerman's devoted readers may find it strange that she would now choose to write about one of the ugliest, most base and cruel events in the history of humanity. How could she possibly work her trademark style? Where could she ...
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