Excerpt from White Noise by Don DeLillo, plus links to reviews, author biography & more

"You should have been there," I said to her.

"Where?"

"It's the day of the station wagons."

"Did I miss it again? You're supposed to remind me."

"They stretched all the way down past the music library and onto the interstate. Blue, green, burgundy, brown. They gleamed in the sun like a desert caravan."

"You know I need reminding, Jack."

Babette, disheveled, has the careless dignity of someone too preoccupied with serious matters to know or care what she looks like. Not that she is a gift-bearer of great things as the world generally reckons them. She gathers and tends the children, teaches a course in an adult education program, belongs to a group of volunteers who read to the blind. Once a week she reads to an elderly man named Treadwell who lives on the edge of town. He is known as Old Man Treadwell, as if he were a landmark, a rock formation or brooding swamp. She reads to him from the National Enquirer, the National Examiner, the National Express, the Globe, the World, the Star. The old fellow demands his weekly dose of cult mysteries. Why deny him? The point is that Babette, whatever she is doing, makes me feel sweetly rewarded, bound up with a full-souled woman, a lover of daylight and dense life, the miscellaneous swarming air of families. I watch her all the time doing things in measured sequence, skillfully, with seeming ease, unlike my former wives, who had a tendency to feel estranged from the objective world—a self-absorbed and high-strung bunch, with ties to the intelligence community.

"It's not the station wagons I wanted to see. What are the people like? Do the women wear plaid skirts, cable-knit sweaters? Are the men in hacking jackets? What's a hacking jacket?"

"They've grown comfortable with their money," I said. "They genuinely believe they're entitled to it. This conviction gives them a kind of rude health. They glow a little."

"I have trouble imagining death at that income level," she said.

"Maybe there is no death as we know it. Just documents changing hands."

"Not that we don't have a station wagon ourselves."

"It's small, it's metallic gray, it has one whole rusted door."

"Where is Wilder?" she said, routinely panic-stricken, calling out to the child, one of hers, sitting motionless on his tricycle in the backyard.

Babette and I do our talking in the kitchen. The kitchen and the bedroom are the major chambers around here, the power haunts, the sources. She and I are alike in this, that we regard the rest of the house as storage space for furniture, toys, all the unused objects of earlier marriages and different sets of children, the gifts of lost in-laws, the hand-me-downs and rummages. Things, boxes. Why do these possessions carry such sorrowful weight? There is a darkness attached to them, a foreboding. They make me wary not of personal failure and defeat but of something more general, something large in scope and content.

She came in with Wilder and seated him on the kitchen counter. Denise and Steffie came downstairs and we talked about the school supplies they would need. Soon it was time for lunch. We entered a period of chaos and noise. We milled about, bickered a little, dropped utensils. Finally we were all satisfied with what we'd been able to snatch from the cupboards and refrigerator or swipe from each other and we began quietly plastering mustard or mayonnaise on our brightly colored food. The mood was one of deadly serious anticipation, a reward hard-won. The table was crowded and Babette and Denise elbowed each other twice, although neither spoke. Wilder was still seated on the counter surrounded by open cartons, crumpled tin-foil, shiny bags of potato chips, bowls of pasty substances covered with plastic wrap, flip-top rings and twist ties, individually wrapped slices of orange cheese. Heinrich came in, studied the scene carefully, my only son, then walked out the back door and disappeared.

Excerpted from White Noise by Don DeLillo. Copyright © 1985 by Don DeLillo. Excerpted by permission of Viking. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.