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Excerpt from Children of Blood and Bone by Tomi Adeyemi, plus links to reviews, author biography & more

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Children of Blood and Bone

Legacy of Orisha

by Tomi Adeyemi

Children of Blood and Bone by Tomi Adeyemi X
Children of Blood and Bone by Tomi Adeyemi
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  • First Published:
    Mar 2018, 544 pages
    Paperback:
    Mar 2019, 560 pages

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Book Reviewed by:
Michelle Anya Anjirbag
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About this Book

Print Excerpt

CHAPTER ONE
ZÉLIE

PICK ME.

It's all I can do not to scream. I dig my nails into the marula oak of my staff and squeeze to keep from fidgeting. Beads of sweat drip down my back, but I can't tell if it's from dawn's early heat or from my heart slamming against my chest. Moon after moon I've been passed over.

Today can't be the same.

I tuck a lock of snow-white hair behind my ear and do my best to sit still. As always, Mama Agba makes the selection grueling, staring at each girl just long enough to make us squirm.

Her brows knit in concentration, deepening the creases in her shaved head. With her dark brown skin and muted kaftan, Mama Agba looks like any other elder in the village. You would never guess a woman her age could be so lethal.

"Ahem." Yemi clears her throat at the front of the ahéré, a not-so-subtle reminder that she's already passed this test. She smirks at us as she twirls her hand-carved staff, eager to see which one of us she gets to defeat in our graduation match. Most girls cower at the prospect of facing Yemi, but today I crave it. I've been practicing and I'm ready.

I know I can win.

"Zélie."

Mama Agba's weathered voice breaks through the silence. A collective exhale echoes from the fifteen other girls who weren't chosen. The name bounces around the woven walls of the reed ahéré until I realize Mama Agba's called me.

"Really?"

Mama Agba smacks her lips. "I can choose someone else—"

"No!" I scramble to my feet and bow quickly. "Thank you, Mama. I'm ready."

The sea of brown faces parts as I move through the crowd. With each step, I focus on the way my bare feet drag against the reeds of Mama Agba's floor, testing the friction I'll need to win this match and finally graduate.

When I reach the black mat that marks the arena, Yemi is the first to bow. She waits for me to do the same, but her gaze only stokes the fire in my core. There's no respect in her stance, no promise of a proper fight. She thinks because I'm a divîner, I'm beneath her.

She thinks I'm going to lose.

"Bow, Zélie." Though the warning is evident in Mama Agba's voice, I can't bring myself to move. This close to Yemi, the only thing I see is her luscious black hair, her coconut-brown skin, so much lighter than my own. Her complexion carries the soft brown of Orïshans who've never spent a day laboring in the sun, a privileged life funded by hush coin from a father she never met. Some noble who banished his bastard daughter to our village in shame.

I push my shoulders back and thrust my chest forward, straightening though I need to bend. Yemi's features stand out in the crowd of divîners adorned with snow-white hair. Divîners who've been forced to bow to those who look like her time and time again.

"Zélie, do not make me repeat myself."

"But Mama—"

"Bow or leave the ring! You're wasting everyone's time."

With no other choice, I clench my jaw and bow, making Yemi's insufferable smirk blossom. "Was that so hard?" Yemi bows again for good measure. "If you're going to lose, do it with pride."

Muffled giggles break out among the girls, quickly silenced by a sharp wave of Mama Agba's hand. I shoot them a glare before focusing on my opponent.

We'll see who's giggling when I win.

"Take position."

We back up to the edge of the mat and kick our staffs up from the ground. Yemi's sneer disappears as her eyes narrow. Her killer instinct emerges.

We stare each other down, waiting for the signal to begin. I worry Mama Agba'll drag this out forever when at last she shouts.

"Commence!"

And instantly I'm on the defensive.

Excerpted from Children of Blood and Bone by Tomi Adeyemi. Copyright © 2018 by Tomi Adeyemi. Excerpted by permission of Henry Holt and Company. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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