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Excerpt from Children of Blood and Bone by Tomi Adeyemi, plus links to reviews, author biography & more

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Children of Blood and Bone

Legacy of Orisha

by Tomi Adeyemi

Children of Blood and Bone by Tomi Adeyemi X
Children of Blood and Bone by Tomi Adeyemi
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  • First Published:
    Mar 2018, 544 pages

    Paperback:
    Mar 2019, 560 pages

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Book Reviewed by:
Michelle Anya Anjirbag
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Before I can even think of striking, Yemi whips around with the speed of a cheetanaire. Her staff swings over her head one moment and at my neck the next. Though the girls behind me gasp, I don't miss a beat.

Yemi may be fast, but I can be faster.

When her staff nears, I arch as far as my back will bend, dodging her attack. I'm still arched when Yemi strikes again, this time slamming her weapon down with the force of a girl twice her size.

I throw myself to the side, rolling across the mat as her staff smacks against its reeds. Yemi rears back to strike again as I struggle to find my footing.

"Zélie," Mama Agba warns, but I don't need her help. In one smooth motion, I roll to my feet and thrust my shaft upward, blocking Yemi's next blow.

Our staffs collide with a loud crack. The reed walls shudder. My weapon is still reverberating from the blow when Yemi pivots to strike at my knees.

I push off my front leg and swing my arms for momentum, cartwheeling in midair. As I flip over her outstretched staff, I see my first opening—my chance to be on the offensive.

"Huh!" I grunt, using the momentum of the aerial to land a strike of my own. Come on—

Yemi's staff smacks against mine, stopping my attack before it even starts.

"Patience, Zélie," Mama Agba calls out. "It is not your time to attack. Observe. React. Wait for your opponent to strike."

I stifle my groan but nod, stepping back with my staff. You'll have your chance, I coach myself. Just wait your tur—

"That's right, Zél." Yemi's voice dips so low only I can hear it. "Listen to Mama Agba. Be a good little maggot."

And there it is.

That word.

That miserable, degrading slur.

Whispered with no regard. Wrapped in that arrogant smirk.

Before I can stop myself, I thrust my staff forward, only a hair from Yemi's gut. I'll take one of Mama Agba's infamous beatings for this later, but the fear in Yemi's eyes is more than worth it.

"Hey!" Though Yemi turns to Mama Agba to intervene, she doesn't have time to complain. I twirl my staff with a speed that makes her eyes widen before launching into another attack.

"This isn't the exercise!" Yemi shrieks, jumping to evade my strike at her knees. "Mama—"

"Must she fight your battles for you?" I laugh. "Come on, Yem. If you're going to lose, do it with pride!"

Rage flashes in Yemi's eyes like a bull-horned lionaire ready to pounce. She clenches her staff with a vengeance.

Now the real fight begins.

The walls of Mama Agba's ahéré hum as our staffs smack again and again. We trade blow for blow in search of an opening, a chance to land that crucial strike. I see an opportunity when—

"Ugh!"

I stumble back and hunch over, wheezing as nausea climbs up my throat. For a moment I worry Yemi's crushed my ribs, but the ache in my abdomen quells that fear.

"Halt—"

"No!" I interrupt Mama Agba, voice hoarse. I force air into my lungs and use my staff to stand up straight. "I'm okay."

I'm not done yet.

"Zélie—" Mama starts, but Yemi doesn't wait for her to finish. She speeds toward me hot with fury, her staff only a finger's breadth from my head. As she rears back to attack, I spin out of her range. Before she can pivot, I whip around, ramming my staff into her sternum.

"Ah!" Yemi gasps. Her face contorts in pain and shock as she reels backward from my blow. No one's ever struck her in one of Mama Agba's battles. She doesn't know how it feels.

Before she can recover, I spin and thrust my staff into her stomach. I'm about to deliver the final blow when the russet sheets covering the ahéré's entrance fly open.

Excerpted from Children of Blood and Bone by Tomi Adeyemi. Copyright © 2018 by Tomi Adeyemi. Excerpted by permission of Henry Holt and Company. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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