A savage, funny, and mysteriously poignant saga by a renowned author at the height of his powers.
Lionel Asbo, a terrifying yet weirdly loyal thug (self-named after England's notorious Anti-Social Behaviour Order), has always looked out for his ward and nephew, the orphaned Desmond Pepperdine. He provides him with fatherly career advice (always carry a knife, for example) and is determined they should share the joys of pit bulls (fed with lots of Tabasco sauce), Internet porn, and all manner of more serious criminality. Des, on the other hand, desires nothing more than books to read and a girl to love (and to protect a family secret that could be the death of him). But just as he begins to lead a gentler, healthier life, his uncle - once again in a London prison - wins £140 million in the lottery and upon his release hires a public relations firm and begins dating a cannily ambitious topless model and "poet." Strangely, however, Lionel's true nature remains uncompromised while his problems, and therefore also Desmond's, seem only to multiply.
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"Lionel Asbo crackles with brilliant prose and scathing satire [and is] savagely funny... [Amis] riffs like a jazz master, in and out of vernacular, with brief gusts of description, all driven by a tight bass line of suspense." - Jess Walter, Publishers Weekly
"Amis' phenomenal vim and versatility, anchoring roots in English literature, and gift for satire power this hilariously Dickensian, nerve-racking, crafty, bull's eye tale of a monster and a mensch This deliciously shivery, sly, and taunting page-turner provokes a fresh assessment of the poverty of place, mind, and spirit and the wondrous blossoming of against-all-odds goodness." - Booklist
"Despite the distractions of the Lionel's shenanigans (ridiculous, over the top, and, yes, funny) readers will be drawn to Des. He may be the straight man in the piece but he adds depth to the novel. It's a fun read all around, but fans of Junot Díaz's The Brief Wondrous Life of Oscar Wao and Paul Beatty's The White Boy Shuffle will want to look for this." - Library Journal
"A joy - and strangely life-affirming... It certainly has much of the dazzling prose that made his earlier works so stand-out. ...Though it satirises a society in decline it is also, in the end, a story about the triumph of education over ignorance, love over hate." - The Times (U.K.)
"A surprisingly tender story For all its scabrous humour, this is at heart an old-fashioned tale in which goodness may still find a way to triumph." - The Daily Mail (U.K.)
"The novel comes at you and comes at you and keeps on coming. It never flags It is a great big confidence trick of a novel - an attack that turns into an embrace - a book that looks at us, laughs at us, looks at us harder, closer, and laughs at us harder and still more savagely. It is every inch the novel that we all deserve." - The Guardian (U.K.)
"A wicked satire [and] frequently wincingly funny. Amis's aim at the totems and mores of common fame is as unerring, and his phrase-making as pyrotechnically dazzling, as ever Amis also writes with real - and uncharacteristic - tenderness." - The Telegraph (U.K.)
"Martin Amis has let himself go at last, [with] the broadest comedy he has ever published Amis's delight in the incorrigible is genuinely Dickensian." - Evening Standard (U.K.)
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The road to publication for Martin Amis' latest novel, The Zone of Interest, has been less smooth than might be imagined, given that Amis is one of the stars of the British literary firmament. The New York Times recently reported that in France and Germany, Amis' longtime publishers have rejected it on the grounds, in France, that its humor is puzzling and, in Germany, that it would be difficult to market.
Given that The Zone of Interest takes an unflinching look at the mechanics of death and body disposal at Auschwitz, and that Amis includes a love story and strong elements of gallows humor within the novel, perhaps those publishers have a point. But Amis, who describes himself as "surprised and disappointed," is unlikely to be too perturbed and may well write off this hiccup as just ...
Martin Amis: AIM-as
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