A master not only of fiction but also of fiercely controversial political engagement, Martin Amis here gathers fourteen pieces that constitute an evolving, provocative, and insightful examination of the most momentous event of our time.
At the heart of this collection is the long essay Terror and Boredom, an unsparing analysis of Islamic fundamentalism and the Wests flummoxed response to it, while other pieces address the invasion of Iraq, the realities of Iran, and Tony Blairs lingering departure from Downing Street (and also his trips to Washington and Iraq). Amiss reviews of pertinent books and films, from The Looming Tower to United 93, provide a far-ranging survey of other responses to these calamitous issues, which are further explored in two short stories: The Last Days of Muhammed Atta, its subject self-evident, and In the Palace of the End, narrated by a Middle Eastern tyrants double whose duties include epic lovemaking, grotesque torture, and the duplication on his own body of the injuries sustained by his alter ego in constant assassination attempts.
Whether lambasted for his refusal to kowtow to Muslim pieties or hailed for his common sense, wide reading, and astute perspective, Amis is indisputably a great pleasure to readinformed, elegant, surprisingand this collection a resounding contemplation of the relentless, manifold dangers we suddenly find ourselves living with.
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"[The Second Plane] fires a welcome, left-tending salvo
Amis proves eminently readable, his observations enlightening." - Kirkus Reviews.
"In this bracing and corrective collection of intense and perceptive responses to the terrorist attacks of September 11, 2001, Amis is doing far more than performing literary pyrotechnics or playing provocateur [He] writes with vehemence, daring and verve because he schools himself in harsh truths, and because he cares." - Booklist.
"[Amis's] prose is subtle, elegant and witty and certainly never boring." - Publishers Weekly.
"'He was quite unable,' Amis writes of Blair, 'to find weight of voice, to find decorum, the appropriate words for the appropriate mood.' In placing these pieces side by side, shifting as they do from apocalyptic solemnity to cultural in-joking, Amis sometimes invites against himself the same censure. His writing remains capable of anything, except perhaps humility." - The Guardian.
"Fear and anger have radicalised Amis. He needs to rethink before he completely transforms into one of his own vivid stereotypes." - The Daily Telegraph.
"This pretentious, formalistic argument underscores Mr. Amiss efforts to deal with a vast historic tragedy with preening, self-consciously literary musings the same sort of musings that made parts of his 2002 book on Stalin, Koba the Dread, so enraging to read." - The New York Times.
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The road to publication for Martin Amis' latest novel, The Zone of Interest, has been less smooth than might be imagined, given that Amis is one of the stars of the British literary firmament. The New York Times recently reported that in France and Germany, Amis' longtime publishers have rejected it on the grounds, in France, that its humor is puzzling and, in Germany, that it would be difficult to market.
Given that The Zone of Interest takes an unflinching look at the mechanics of death and body disposal at Auschwitz, and that Amis includes a love story and strong elements of gallows humor within the novel, perhaps those publishers have a point. But Amis, who describes himself as "surprised and disappointed," is unlikely to be too perturbed and may well write off this hiccup as just ...
Martin Amis: AIM-as
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