Fernanda Eberstadt brings all her gifts of insight, feeling, and storytelling to bear on passion and the balance of power in marriage. She tells the story of a courtship of opposites, of a blissful love affair and of how it turns into a marriage that helplessly self-destructs.
The place is Manhattan in the boom of the 1990s. Gwen Lewis thinks her life is perfect. Shes thirty, smart, high-achieving, single; shes the director of an institute thats helping post-Communist Russia democratize. She has family money, a condominium on the Upper West Side, and a suitable boyfriend, a banker.
Then she meets Gideon Wolkowitz. Gideon is an impoverished puppeteer who works in an anarchist squat on the Lower East Side: an impecunious sweet-talking huckster, a messianic dreamer, a seventies socialist throwback, a secular Jew. Gwen and Gideon fall desperately in love. Their sex is epic. Their love seems like a gift from the gods destined to heal all wounds. Each is the child of a broken home; each fills the others unsuspected aching emptiness. The lovers hole up in Gwens apartment, feasting on stolen nights of ecstasy and confession.
Then Gwen gets pregnant and their romantic idyll is broken, and the angry ghosts of their ancestral pasts rise to claim them. Gwen is pulled into a Puritan devotion to work and motherhood that only a driven career woman or Massachusetts pilgrim could understand. Gideon, torn by his anger that Gwen has ended their sex life, by his native hatred of her "socialite" values and his love of the woman herself, begins to hear the call of shtetl ways and the synagogue. The reader watches helplessly as the divisive forces of money, worldly ambition, and self-will complete the shipwreck of Gwen and Gideons love.
A novel that wholly engages us by the depth of its understanding and the power of its storytelling.
Click to the right or left of the sample to turn the page.
(If no book jacket appears in a few seconds, then we don't have an excerpt of this book or your browser is unable to display it)
"If the story is one that at first blush sounds familiar and even predictable, Eberstadt's no-mercy approach is unique and harrowing." - Publishers Weekly
"Starred Review.Eberstadt's mythic and piercing tragedy belongs beside the work of Franzen, Chabon, even DeLillo." - Booklist
"Unsparing...In a densely allusive, insistently metaphoric prose style, Eberstadt brilliantly employs a form of hectoring direct address to both her protagonists...[The] plot gains great depth from two exhaustively penetrating characterizations and from Ebersadt's virtual genius for ironically precise summary statement." - Kirkus Reviews
"Eberstadt's skills bring to mind the early A. S. Byatt (the darting, foxlike intelligence; the searing judgments), and her dissection of class differences has a physical urgency that lifts her characters above their schematic limitations. With psychological precision, she keeps her gazeand ourssteady, as the lovers, through a combination of will and carelessness, tear themselves apart." - The New Yorker
"The novel's prose - taut, fresh and vividly descriptive - can be a positive delight. Like Tom Wolfe, Eberstadt is a precise and witty observer of life in Manhattan." - New York Times Book Review
"Fernanda Eberstadt is blessed with more gifts than any one writer should be. She saturates her novels with wantonly vivid imagery, creates characters more thoroughly realized than most people you know ...If you happen to be familiar with her chosen settings, whether hardscrabble New Hampshire or pampered New York, reconsidering them through her eyes can be a revelation." - The Washington Post
The information about The Furies shown above was first featured in "The BookBrowse Review" - BookBrowse's online-magazine that keeps our members abreast of notable and high-profile books publishing in the coming weeks. In most cases, the reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author of this book and feel that the reviews shown do not properly reflect the range of media opinion now available, please send us a message with the mainstream media reviews that you would like to see added.
Fernanda Eberstadt was born in New York City on November 10, 1960. Her maternal grandfather was the poet Ogden Nash. She is the daughter of the photographer and psychotherapist Frederick Eberstadt, who lives in New York City. Her mother was Isabel Nash Eberstadt, a writer, fashion figure, and patroness of the arts, who published two novels, appeared in Andy Warhol's Screen Tests and in Robert Wilson's opera Edison.
As a teenager, Eberstadt worked backstage at Balanchine's New York City Ballet, at Andy Warhol's Factory, and for Diana Vreeland at the Costume Institute of the Metropolitan Museum.
She was one of the first women to be accepted at Magdalen College, Oxford, from which she graduated with a Double First Class Honors degree in English Language and Literature in 1982.
In the 1980s, ...
Fernanda Eberstadt: fer-NAHN-dah E-ber-stadt (first letter pronounced like the letter E)
Become a Member and discover books that entertain, engage & enlighten!
Fanaticism consists in redoubling your effort when you have forgotten your aim
Click Here to find out who said this, as well as discovering other famous literary quotes!
Solve this clue:
and be entered to win..
Visitors can view some of BookBrowse for free. Full access is for members only.
Your guide toexceptional books
BookBrowse seeks out and recommends books that we believe to be best in class. Books that will whisk you to faraway places and times, that will expand your mind and challenge you -- the kinds of books you just can't wait to tell your friends about.