On the eve of the Great Depression, Verna Krone, the child of Irish immigrants, must leave the eighth grade and begin working as a maid to help support her family. Her employer takes inappropriate liberties, and as Verna matures, it seems as if each man she meets is worse than the last. Through sheer force of will and a few chance encounters, she manages to teach herself to read and becomes a nurse. But Verna's new life falls to pieces when she is arrested for assisting a black doctor with "illegal surgeries." As the media firestorm rages, Verna reflects on her life while awaiting trial.
Based on the life of the author's own grandmother and written after almost three hundred interviews with those involved in the real-life scandal, The Blue Orchard is as elegant and moving as it is exact and convincing. It is a dazzling portrayal of the changes America underwent in the first fifty years of the twentieth century. Readers will be swept into a time period that in many ways mirrors our own. Verna Krone's story is ultimately a story of the indomitable nature of the human spirit - and a reminder that determination and self-education can defy the deforming pressures that keep women and other disenfranchised groups down.
"Starred Review. In this powerful, vivid debut novel, Taylor parses issues of race, power, and religion in unflinching terms while believably inhabiting the mind of a conflicted woman. " - Publishers Weekly
"The Blue Orchard held me in its spell. Taylor is a master storyteller and his novel is riveting, substantial, and unforgettable." - Wally Lamb, author of The Hour I First Believed
"[Taylor] illuminates the thorny ways of class, race, and gender. This is an amazing book." - Marie Ponsot, National Book Critics Circle award winner and author of Springing and Easy
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Simultaneous hardcover & paperback release.
Jackson Taylor is the Associate Director of The New School's Graduate Writing
Program, which he helped launch, and where he teaches. For more than fifteen
years he has been the Director of The Prison Writing Program at PEN American
Center. His short fiction has appeared in Spit, Pink, Moss and Punk, and
his poems have appeared in Lit, Sleeping Fish, Witness, and others. For
three years he worked at The New York Times in the Culture, Arts and Leisure,
and the National desks. He holds a BA from Columbia and an MFA from Sarah
Lawrence College. He lives in Manhattan and Greenport.
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