A brilliant literary debut, inspired by a true story: the final days of a young woman accused of murder in Iceland in 1829.
Set against Iceland's stark landscape, Hannah Kent brings to vivid life the story of Agnes, who, charged with the brutal murder of her former master, is sent to an isolated farm to await execution.
Horrified at the prospect of housing a convicted murderer, the family at first avoids Agnes. Only Tóti, a priest Agnes has mysteriously chosen to be her spiritual guardian, seeks to understand her. But as Agnes's death looms, the farmer's wife and their daughters learn there is another side to the sensational story they've heard.
Riveting and rich with lyricism, Burial Rites evokes a dramatic existence in a distant time and place, and asks the question, how can one woman hope to endure when her life depends upon the stories told by others?
They said I must die. They said that I stole the breath from men, and now they must steal mine. I imagine, then, that we are all candle flames, greasy-bright, fluttering in the darkness and the howl of the wind, and in the stillness of the room I hear footsteps, awful coming footsteps, coming to blow me out and send my life up away from me in a gray wreath of smoke. I will vanish into the air and the night. They will blow us all out, one by one, until it is only their own light by which they see themselves. Where will I be then?
Sometimes I think I see it again, the farm, burning in the dark. Sometimes I can feel the ache of winter in my lungs, and I think I see the flames mirrored in the ocean, the water so strange, so flickered with light. There was a moment during that night when I looked back. I looked back to watch the fire, and if I lick my skin I can still taste the salt. The smoke.
It wasn't always so cold.
I hear footsteps.
Through a varied narrative that includes multiple perspectives, letters and haunting poems, Kent’s novel unravels with superb pacing and suspense, eventually revealing the truth of what happened the winter night the murders occurred. Chapters employing Agnes’s direct voice are especially powerful when she contemplates death. Kent also keenly captures the uniqueness of her novel’s setting: Iceland’s beauty and isolation, its sense of solitude—and despair.
(Reviewed by Suzanne Reeder).
The Republic of Iceland, the setting for Hannah Kent's debut novel Burial Rites, has a deep and intriguing history.
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