Cleage captures the mores, culture, and rhythm of black urban youth and the romantic tensions between mature black adults as she weaves contemporary issues into a love story.
Joyce Mitchell was widowed far too young when her beloved husband, Mitch, died in a tragic accident five years ago. Since then she's kept her hands full and her mind and heart occupied by running The Sewing Circus, an all-girl group she founded to provide badly needed services like day care and job counseling to young women, many of whom are single mothers. More important, The Circus is a place for lively, wide-ranging, heart-to-heart discussions that will help members grow into what Joyce likes to call "twenty-first-century free women."
All in all, Joyce has a full and rich life. She has her work, her family, her friends, and her town. But there are some nights when she crawls into bed alone and has to admit that something is missing. What she doesn't have is that red dress she keeps dreaming about or a social life that would accommodate it even if she braved the mall and bought one. To further complicate matters, she may not have The Sewing Circus much longer, as the state legislature has decided not to fund the group's vital but hard to define work with young women who are too often regarded as problems rather than possibilities.
Feeling defeated and pessimistic, Joyce reluctantly agrees to keep a date for dinner at the home of her best friend, Sister -- a reverend like no other-and finds not only a perfect meal but a tall, dark stranger named Nate Anderson. Nate has just joined the administration at the high school and his unexpected presence in Idlewild touches a chord in Joyce that she thought her heart had forgotten how to play. Nate feels the same immediate connection, but both have enough experience with broken hearts to take it real slow. Besides, they've got too much work to do to concentrate on falling in love....
But life moves at its own pace, and as Sister says, "if you want to make God laugh, make plans." Particularly when it comes to matters of the heart. Joyce decides the trick is to stay focused and to remember that nothing is as sexy as the truth, the whole truth, and nothing but the truth, especially if you tell it while you're wearing a perfect red dress...
I wish I had a red dress. I've been wearing black for so long I feel like one of those ancient women in the foreign movies who are always sitting around, fingering their rosary beads and looking resigned while the hero rides to his death on behalf of the people, or for the sake of true love, which is really six of one, half dozen of the other, when you think about it.
I never cared much about clothes. My basic requirement is comfort, which automatically cuts out high-heeled shoes, pushup bras, panty hose and strapless evening gowns, but could theoretically still leave room for a range of colors, fabrics and even a stylish little something or other for special occasions.
The convenience of all black used to appeal to me. I loved the fact that I could reach into my closet and know everything I touched was going to match everything else I touched with absolutely no effort on my part, but it can be a little depressing sometimes. Even to me.
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'Though I've read countless novels, I had never read one like this ... told in a chorus of completely unexpected voices, as befits the first novel from a Pulitzer Prize-winning playwright and screenwriter' - Washington Post.
Meet the Price family, matriarch Viola, her sometimes-husband Cecil, and their four adult kids, each of whom sees life -- and one another -- through thick and thin, and entirely on their own terms. McMillan gives us six more friends we never want to leave.
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