Summary | Excerpt | Reading Guide | Reviews | Read-Alikes | Genres & Themes | Author Bio
Critics' Opinion:
Readers' Opinion:
First Published:
Oct 2000, 288 pages
Paperback:
May 2001, 288 pages
On Writing begins with King's childhood and his uncannily early focus on writing to tell a story. King next turns to the basic tools of his trade and culminates with a profoundly moving account of how King's overwhelming need to write spurred him toward recovery.
"If you don't have the time to read, you don't have the time or the tools to write."
In 1999, Stephen King began to write about his craft -- and his life. By midyear, a widely reported accident jeopardized the survival of both. And in his months of recovery, the link between writing and living became more crucial than ever.
Rarely has a book on writing been so clear, so useful, and so revealing. On Writing begins with a mesmerizing account of King's childhood and his uncannily early focus on writing to tell a story. A series of vivid memories from adolescence, college, and the struggling years that led up to his first novel, Carrie, will afford readers a fresh and often very funny perspective on the formation of a writer. King next turns to the basic tools of his trade -- how to sharpen and multiply them through use, and how the writer must always have them close at hand. He takes the reader through crucial aspects of the writer's art and life, offering practical and inspiring advice on everything from plot and character development to work habits and rejection.
Serialized in the New Yorker to vivid acclaim, On Writing culminates with a profoundly moving account of how King's overwhelming need to write spurred him toward recovery, and brought him back to his life.
Brilliantly structured, friendly and inspiring, On Writing will empower -- and entertain -- everyone who reads it.
I actually began On Writing in November or December of 1997, and although it usually takes me only three months to finish the first draft of a book, this one was still only half-completed eighteen months later. That was because I'd put it aside in February or March of 1998, not sure how to continue, or if I should continue at all. Writing fiction was almost as much fun as it had ever been, but every word of the nonfiction book was a kind of torture. It was the first book I had put aside uncompleted since The Stand, and On Writing spent a lot longer in the desk drawer.
In June of 1999, I decided to spend the summer finishing the damn writing book -- let Susan Moldow and Nan Graham at Scribner decide if it was good or bad, I thought. I read the manuscript over, prepared for the worst, and discovered I actually sort of liked what I had. The road to finishing it seemed clear-cut, too. I had finished the memoir ("C.V."), which attempted to show some of the incidents and life-...
If you liked On Writing: A Memoir of The Craft, try these:
by Mark Dawidziak
Published 2024
A Mystery of Mysteries is a brilliant biography of Edgar Allan Poe that examines the renowned author's life through the prism of his mysterious death and its many possible causes.
by Emma Smith
Published 2022
A history of one of humankind's most resilient and influential technologies over the past millennium—the book.
All You Have to Do Is Call
by Kerri Maher
An inspiring novel based on the true story of the Jane Collective and the brave women who fought for our right to choose.
Digging Stars
by Novuyo Rosa Tshuma
Blending drama and satire, Digging Stars probes the emotional universes of love, friendship, family, and nationhood.
25 Copies to Give Away!
A daring CIA operation threatens chaos in the Kremlin. But can Langley trust the Russian at its center?
Your guide toexceptional books
BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.
