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A propulsive, extraordinary novel about a mother and her daughters' harrowing escape to Taiwan as the Communist revolution sweeps through China, by debut author Eve J. Chung, based on her family story.
Daughters are the Ang family's curse.
In 1948, civil war ravages the Chinese countryside, but in rural Shandong, the wealthy, landowning Angs are more concerned with their lack of an heir. Hai is the eldest of four girls and spends her days looking after her sisters. Headstrong Di, who is just a year younger, learns to hide in plain sight, and their mother—abused by the family for failing to birth a boy—finds her own small acts of rebellion in the kitchen. As the Communist army closes in on their town, the rest of the prosperous household flees, leaving behind the girls and their mother because they view them as useless mouths to feed.
Without an Ang male to punish, the land-seizing cadres choose Hai, as the eldest child, to stand trial for her family's crimes. She barely survives their brutality. Realizing the worst is yet to come, the women plan their escape. Starving and penniless but resourceful, they forge travel permits and embark on a thousand-mile journey to confront the family that abandoned them.
From the countryside to the bustling city of Qingdao, and onward to British Hong Kong and eventually Taiwan, they witness the changing tide of a nation and the plight of multitudes caught in the wake of revolution. But with the loss of their home and the life they've known also comes new freedom—to take hold of their fate, to shake free of the bonds of their gender, and to claim their own story.
Told in assured, evocative prose, with impeccably drawn characters, Daughters of Shandong is a hopeful, powerful story about the resilience of women in war; the enduring love between mothers, daughters, and sisters; and the sacrifices made to lift up future generations.
1
Heirless
Nai Nai said whores weren't allowed in the house, so she kicked Mom out, slamming the wooden door shut with a clatter that startled the birds. We didn't know where my sister Di was, but Three and I sat beside Mom as she leaned against the courtyard wall of our shiheyuan, hands red and chapped from washing dishes. "Don't worry," she said to us. "She'll calm down when your father comes home." Nai Nai was a small, thin lady with ebony hair, birdlike hands, and dainty bound feet. Yet, even as she tottered in her small silk slippers, she had the presence of a warlord and a tongue like a whip. I was eleven, and old enough to know that no one could calm her after such a rage, not even her first and favorite son.It was fall, and dried leaves swirled in the chilly wind, skimming yellow grass that swayed gently. Luckily, the harvest was finished and most of the workers had gone home. Mom didn't want reports of this shameful spectacle to make the rounds-the peasants hated Nai Nai as much...
A mother and three daughters are left behind when the more powerful members of their Nationalist family flee to escape Communists during the revolution. The story is told from the perspective of the oldest daughter, Li Hai, and the author does an astonishing job of capturing the thoughts of an adolescent girl dealing with both inconceivable trauma and everyday concerns (Kathleen L). If a book taking place during a war can be called enjoyable, this is it. I say enjoyable based on the mother/daughter relationships, the three-dimensional characters and the rising above the circumstances, which almost makes the reader forget the horrors in favor of the power of the storyline (Marie M). Chung's writing is descriptive without being overly expansive. Daughters of Shandong was a real pleasure to read and I hope Chung continues to write (Laurie B)...continued
Full Review (632 words)
(Reviewed by First Impressions Reviewers).
Eve J. Chung's debut novel Daughters of Shandong focuses on the mother and daughters of a landowning family who flee China for Taiwan as a result of the Communist revolution in the late 1940s. Chung has spoken about how she was motivated to write the book by her maternal grandmother's experiences of that period of history.
However, what became a work of fiction started as a simple attempt to record her family's past. In a note to readers, Chung portrays the special relationship she formed with her grandmother from having lived with her in Taiwan as a child. While they were close, bonding over competitive billiards and period dramas, Chung knew little of her grandmother's history as a refugee. After her grandmother passed away in ...
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