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A gorgeously written and irresistibly intimate queer novel that follows one family across four generations to explore legacy and identity in all its forms.
In 1910, Agnes Carter makes the wrong choice in marriage. After years as an independent woman of fortune, influential with the board of a prominent university because of her financial donations, she is now subject to the whims of an abusive, spendthrift husband. But when Bohemian naturalist and glassblower Ignace Novak reignites Agnes's passion for science, Agnes begins to imagine a different life, and she sets her mind to getting it.
Agnes's desperate actions breed secrecy, and the resulting silence echoes into the future. Her son, Edward, wants to be a man of faith but struggles with the complexities of the mortal world while apprenticing at a stained-glass studio.
In 1986, Edward's child, Novak-just Novak-is an acrobatic window washer cleaning Manhattan high-rises, who gets caught up in the plight of Cecily, a small town girl remade as a gender-bending Broadway ingénue.
And in 2015, Cecily's daughter Flip-a burned-out stoner trapped in a bureaucratic job firing cremains into keepsake glass ornaments-resolves to break the cycle of inherited secrets, reaching back through the generations in search of a family legacy that feels true.
For readers of Mary Beth Keane, Min Jin Lee, and Rebecca Makkai, Glassworks is "an era-spanning, family and chosen-family following, marvel of a debut." (CJ Hauser, author of Family of Origin)
one
The Bohemian glass modeler went mad the summer of Agnes's marriage, and naturally at first society and the university board and
Agnes's husband assumed a connection.
They had been so often thrown together, since Ignace had come to Boston. Since Agnes had brought him to Boston. It was nearly as if she had captained the ship herself, according to gossip and political cartoonists. Really it was her money that had done it. Dollar-green paper hands crewing the vessel, packing Ignace Novak's valises, shuttering his studio in Prague—and installing him in Cambridge with shelves of glass and enamel and a foot-powered bellows to melt it and a shotgun-startled expression on his face, hat knocked back as if by a blow, hair frazzled with the grease of his sudden voyage.
Agnes had long since learned what money could do, for better and for worse. It could tangle people into hopeless snarls, or spin them into neat skeins according to her specifications. It took skill to wield such a tool...
Cara Blue Adams, author of You Never Get It Back
With warmth, vividness, and humor, Wolfgang-Smith examines what we inherit and what is lost to silence and shows us how people come into themselves alongside the fragile legacies they build. A dazzling new voice. CJ Hauser, author of Family of Origin
A page turner, a work of gorgeous prose, a rollicking good story full of brilliant observations about the human experience and characters I sometimes forget I do not know in real life...If Elizabeth McCracken and David Mitchell had a love child, it might look a bit like this era-spanning, family and chosen-family following, marvel of a debut. Jennine Capó Crucet, author of Make Your Home Among Strangers
Rendered in achingly gorgeous prose, Glassworks sweeps across generations, forging an engrossing portrait of a complex inheritance-a wise and inventive debut.
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