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Book Reviewed by:
Elisabeth Cook
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A dazzling debut novel following the lives of three groundbreaking women - Marlene Dietrich, Anna May Wong, and Leni Riefenstahl - cinema legends who lit up the twentieth century.
At a chance encounter at a Berlin soirée in 1928, the photographer Alfred Eisenstaedt captures three very different women together in one frame: up-and-coming German actress Marlene Dietrich, who would wend her way into Hollywood as one of its lasting icons; Anna May Wong, the world's first Chinese American star, playing for bit parts while dreaming of breaking away from her father's modest laundry; and Leni Riefenstahl, whose work as a director would first make her famous--then, infamous.
From this curious point of intersection, Delayed Rays of a Star lets loose the trajectories of these women's lives. From Weimar Berlin to LA's Chinatown, from a seaside resort in East Germany to a luxury apartment on the Champs-Élysées, the different settings they inhabit are as richly textured as the roles they play: siren, muse, predator, or lover, each one a carefully calibrated performance. And in the orbit of each star live secondary players--a Chinese immigrant housemaid, a German soldier on leave from North Africa, a pompous Hollywood director--whose voices and viewpoints reveal the legacy each woman left in her own time, as well as in ours.
Amanda Lee Koe's playful, wry prose guides the reader dexterously around murky questions of ego, persona, complicity, desire, and difference. Intimate and raw, Delayed Rays of a Star is a visceral depiction of womanhood--its particular hungers, its calculations, and its eventual betrayals--and announces a bold new literary voice.
1
Before she crossed the ballroom to ask the Chinese woman for a dance, Marlene unloosed a curl from the crown of her finger wave, letting it fall across her forehead. It was a habit, now mostly unmindful, that she had acquired for herself as a schoolgirl, every time she wanted the attention of a classmate or the teacher.
Even from where she had been standing, Marlene could smell the fresh magnolia tucked behind the Chinese woman's left ear whenever she moved, which was often. This woman was cutting up the foxtrot, polka, and waltz, even as gouty gents swathed in silky cummerbunds trod on her toes, shod not in shoes but dance slippers, and so providing a winsome view of the high arch of her foot. To be sure, Marlene did not know if it was more that she wanted to dance with the woman, or to be together with her at the center of attention. The most satisfying thing about going with the moment was not having to wait to find out, but a pomaded, middle-aged man had stuck his cane out just ...
Delayed Rays of a Star explores the facades people adopt for the survival of their private and public selves. It examines how surface impressions and imagery can be both dangerous and vital. The loose structure of the novel, which at times appears haphazard, may not be to some readers' tastes. But this wandering is part of its magic. Like the cinematic professionals she features, Koe seeks to create an immersive tone and style that speaks for itself, and she succeeds.
(Reviewed by Elisabeth Cook).
Full Review
(731 words).
Garth Greenwell, author of What Belongs to You
This is a voraciously intelligent, heartrending novel. Few books have so much life in them, or are so willing to explore the terrors of war and desire, the ruthlessness of genius. Maybe this novel can face the dark so fearlessly because it is itself so radiant, a blazing star. Amanda Lee Koe is a brilliant writer. Tash Aw, author of The Harmony Silk Factory
In this swirling, brilliant debut, both the famous and the unknown struggle to navigate the tides of history. Cultures collide, horizons appear, worlds collapse. Filled with hope and desperation, Amanda Lee Koe's novel is a timely and timeless inquiry into what it means to be a woman, and a human being, in a universe that often seems not to care. Ben Metcalf, author of Against the Country
Delayed Rays of a Star is a big, globetrotting, time-traveling wonder of a novel that made me laugh and in a hundred other ways appreciate the playful brilliance of Amanda Lee Koe. This is literature to feast upon and share, and a bold new voice to celebrate.
Anna May Wong was a Chinese-American film star who worked in the entertainment industry from the 1920s to the 1960s. As a person of color, she experienced limitations in the roles she was able to play throughout her career due to discrimination and typecasting. Many recognize her today as an overlooked icon.
Wong was born in 1905 to Chinese-American parents in Los Angeles. She began her career in Alla Nazimova's 1919 film The Red Lantern, where she played an extra. She would go on to snag the lead in the 1922 silent film The Toll of the Sea, an adaptation of Madame Butterfly that was the first general release film in two-color Technicolor.
Within the industry, Wong had to contend with numerous obstacles due to her Chinese heritage, ...
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