A blistering gangster noir meets howling absurdist comedy as the forces of good square off against the forces of evil, and only an unassuming clockwork repairman and an octogenarian former superspy can save the world from total destruction.
Joe Spork spends his days fixing antique clocks. The son of infamous London criminal Mathew "Tommy Gun" Spork, he has turned his back on his family's mobster history and aims to live a quiet life. That orderly existence is suddenly upended when Joe activates a particularly unusual clockwork mechanism. His client, Edie Banister, is more than the kindly old lady she appears to be - she's a retired international secret agent. And the device? It's a 1950s doomsday machine. Having triggered it, Joe now faces the wrath of both the British government and a diabolical South Asian dictator who is also Edie's old arch-nemesis.
On the upside, Joe's got a girl: a bold receptionist named Polly whose smarts, savvy and sex appeal may be just what he needs. With Joe's once-quiet world suddenly overrun by mad monks, psychopathic serial killers, scientific geniuses and threats to the future of conscious life in the universe, he realizes that the only way to survive is to muster the courage to fight, help Edie complete a mission she abandoned years ago and pick up his fathers old gun...
At seven fifteen a.m., his bedroom slightly colder than the vacuum of space, Joshua Joseph Spork wears a longish leather coat and a pair of his fathers golfing socks. Papa Spork was not a natural golfer. Among other differences, natural golfers do not acquire their socks by hijacking a lorryload destined for St. Andrews. It isnt done. Golf is a religion of patience. Socks come and socks go, and the wise golfer waits, sees the pair he wants, and buys it without fuss. The notion that he might put a Thompson sub-machine gun in the face of the burly Glaswegian driver, and tell him to quit the cab or adorn it . . . well. A man who does that is never going to get his handicap down below the teens.
The upside is that Joe doesnt think of these socks as belonging to Papa Spork. Theyre just one of two thousand pairs he inherited when his father passed on to the great bunker in the sky, contents of a lock-up off Brick Lane. He returned as much of the swag as he ...
The basic theme of Angelmaker is familiar enough: a threat to the world must be nullified by an unlikely hero. In Nick Harkaway's hands, however, this simple storyline becomes something entirely unique and unexpected, defying easy classification. It's equal parts science fiction, gangster novel, absurdist comedy, spy story and government conspiracy novel, forming one zany, convoluted, literary three-ring circus where anything can happen. It's the kind of thing you'd expect to get if you dropped Doug Adams's perpetually bewildered Arthur Dent in the middle of a James Bond intrigue: utter mayhem.
(Reviewed by Kim Kovacs).
At the heart of Angelmaker is an immensely intricate clockwork device. When we hear the word "clockwork" we generally think of old-fashioned non-digital timepieces. The term, however, refers to any mechanical device that uses a combination of springs and gears to function. In addition to wind-up watches and clocks, wind-up toys, old phonographs and traditional music boxes are all types of clockwork.
All clockwork mechanisms require some kind of power source, typically a weight or coiled spring. This stored energy is then translated into movement through one or more interlocking gear wheels; the release of energy is controlled using a device known in clocks and watches as an escapement, which is in turn connected to a regulating ...
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