Summary | Excerpt | Reading Guide | Reviews | Beyond the book | Read-Alikes | Genres & Themes | Author Bio
Critics' Opinion:
Readers' Opinion:
First Published:
Jan 2005, 448 pages
Paperback:
Jan 2006, 448 pages
Book Reviewed by:
BookBrowse Review Team
Buy This Book
A tour de force of metaphysical reality, powered by two remarkable characters: a teenage boy who runs away from home to escape a gruesome oedipal prophecy, and an aging simpleton.
With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.
This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle–yet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.
Extravagant in its accomplishment, Kafka on the Shore displays one of the world's truly great storytellers at the height of his powers.
Cash isn't the only thing I take from my father's study when I leave home. I take a small, old gold lighter--I like the design and feel of it--and a folding knife with a really sharp blade. Made to skin deer, it has a five-inch blade and a nice heft. Probably something he bought on one of his trips abroad. I also take a sturdy, bright pocket flashlight out of a drawer. Plus sky blue Revo sunglasses to disguise my age.
I think about taking my father's favorite Sea-Dweller Oyster Rolex. It's a beautiful watch, but something flashy will only attract attention. My cheap plastic Casio watch with an alarm and stopwatch will do just fine, and might actually be more useful. Reluctantly, I return the Rolex to its drawer.
From the back of another drawer I take out a photo of me and my older sister when we were little, the two of us on a beach somewhere with grins plastered across our faces. My sister's looking off to the side so half her face is in shadow and her ...
I thought this was a marvelous novel, although I'm not sure that I entirely understood it. The upside is that I'm not the only one, it seems that even Murakami had trouble understanding it! As he says, "This may sound self-serving, but it's true. I know people are busy and it depends, too, on whether they feel like doing it, but if you have the time, I suggest reading the novel more than once. Things should be clearer the second time around. I've read it, of course, dozens of times as I rewrote it, and each time I did, slowly but surely the whole started to come into sharper focus."..continued
Full Review
(233 words).
This review is available to non-members for a limited time. For full access,
become a member today.
(Reviewed by BookBrowse Review Team).
Murakami was born in Kyoto in 1949 and graduated from the Waseda University,
Tokyo, in 1975. He and his wife lived in Europe and the United States from 1986
to 1995 before returning to Tokyo. He did not write his first
novel, Hear the Wind Sing (1979, translated 1987) until he was in his
thirties. His major breakthrough came in 1987 with the publication of
Norwegian Wood - a coming of age story named after the Beatles' song, which is
somewhat different to his other books in that it is written in a realistic
style, whereas his other books all have strong fantasy
elements.
In addition to writing his own books in Japanese, Murakami is a
skillful translator of English works into Japanese, including books
by Scott Fitzgerald...
This "beyond the book" feature is available to non-members for a limited time. Join today for full access.
If you liked Kafka on The Shore, try these:
by Sara Freeman
Published 2023
An intoxicating, compact debut novel by the winner of Columbia's Henfield Prize, Tides is an astoundingly powerful portrait of a deeply unpredictable woman who walks out of her life and washes up in a seaside town.
by Scott Hawkins
Published 2016
Populated by an unforgettable cast of characters and propelled by a plot that will shock you again and again, The Library at Mount Char is at once horrifying and hilarious, mind-blowingly alien and heartbreakingly human, sweepingly visionary and nail-bitingly thrilling.
The God of Endings
by Jacqueline Holland
A suspenseful debut that weaves a story of love, history and myth through the eyes of one immortal woman.
Once We Were Home
by Jennifer Rosner
From the author of The Yellow Bird Sings, a novel based on the true stories of children stolen in the wake of World War II.
Harvard is the storehouse of knowledge because the freshmen bring so much in and the graduates take so little out.
Click Here to find out who said this, as well as discovering other famous literary quotes!
Your guide toexceptional books
BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.
