An eloquent thriller, an intricate balance of suspense and fine storytelling that proves Carol Goodman is a rare new talent with a brilliant future.
In the evocative tradition of Donna Tartt's first novel, The Secret History, comes this accomplished debut of youthful innocence drowned by dark sins. Twenty years ago, Jane Hudson left the Heart Lake School for Girls in the Adirondacks after a terrible tragedy. Now she has returned to the placid, isolated shores of the lakeside school as a Latin teacher, recently separated and hoping to make a fresh start with her young daughter. But ominous messages from the past dredge up forgotten memories that will become a living nightmare.
Since freshmen year, Jane and her two roommates, Lucy Toller and Deirdre Hall, were inseparable--studying the classics, performing school girl rituals on the lake, and sneaking out after curfew to meet Lucy's charismatic brother Matt. However, the last winter before graduation, everything changed. For in that sheltered, ice-encrusted wonderland, three lives were taken, all victims of senseless suicide. Only Jane was left to carry the burden of a mystery that has stayed hidden for more than two decades in the dark depths of Heart Lake.
Now pages from Jane's missing journal, written during that tragic time, have reappeared, revealing shocking, long-buried secrets. And suddenly, young, troubled girls are beginning to die again . . . as piece by piece the shattering truth slowly floats to the surface.
At once compelling, sensuous, and intelligent, The Lake of Dead Languages is an eloquent thriller, an intricate balance of suspense and fine storytelling that proves Carol Goodman is a rare new talent with a brilliant future.
The Lake Of Dead Languages
I have been told to make the Latin curriculum relevant to the lives of my students. I am finding, though, that my advanced girls at Heart Lake like Latin precisely because it has no relevance to their lives. They like nothing better than a new, difficult declension to memorize. They write the noun endings on their palms in blue ballpoint ink and chant the declensions, "Puella, puellae, puellae, puellam, puella . . ." like novices counting their rosaries.
When it comes time for a test they line up at the washroom to scrub down. I lean against the cool tile wall watching them as the washbasins fill with pale blue foam and the archaic words run down the drains. When they offer to show me the undersides of their wrists for traces of letters I am unsure if I should look. If I look, am I showing that I don't trust them? If I don't look, will they think I am naive? When they put their upturned hands in mine--so light-boned and delicate--it is as if a ...
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'This big, enthralling novel recaptures the gift for Dreiserian realism that distinguishes such Oates triumphs as What I Lived For, and We Were the Mulvaneys. It's her best ever, and a masterpiece.' Kirkus Reviews.
A luminous and astonishing novel that builds out of grief the most hopeful of stories. In the hands of a brilliant new writer, this story of the worst thing a family can face is transformed into a suspenseful and even funny novel about love, memory, joy, heaven, and healing.
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