American Dirt Reading Guide & Discussion Questions

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American Dirt by Jeanine Cummins

American Dirt

A Novel

by Jeanine Cummins
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  • First Published:
  • Jan 21, 2020, 400 pages
  • Paperback:
  • Feb 2022, 416 pages
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Book Club Discussion Questions

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For supplemental discussion material see our Beyond the Book article, A History of Acapulco and Ongoing Cartel Control and our BookBrowse Review of American Dirt.


Please be aware that this discussion guide will contain spoilers!

  1. Throughout the novel, Lydia thinks back on how, when she was living a middle-class existence, she viewed migrants with pity: "All her life she's pitied those poor people. She's donated money. She's wondered with the sort of detached fascination of the comfortable elite how dire the conditions of their lives must be wherever they come from, that this is the better option. That these people would leave their homes, their cultures, their families, even their languages, and venture into tremendous peril, risking their very lives, all for the chance to get to the dream of some faraway country that doesn't even want them" (chapter 10, page 94). Do you think the author chose to make Lydia a middle-class woman as her protagonist for a reason? Do you think the reader would have had a different entry point to the novel if Lydia started out as a poor migrant? Would you have viewed Lydia differently if she had come from poor origins? How much do you identify with Lydia?
  2. Sebastián persists in running his story on Javier even though he knows it will put him and his family in grave danger. Do you admire what he did? Was he a good journalist or a bad husband and father? Is it possible he was both? What would you have done if you were him?
  3. Lydia looks at Luca and thinks to herself: "Migrante. She can't make the word fit him. But that's what they are now. This is how it happens" (chapter 10, page 94). Lydia refers to her and Luca becoming migrants as something that happened to them rather than something they did. Do you think the author intentionally made this sentence passive? Do you think language allows us to label things as "other" that is, in a way, tantamount to self-preservation? Does it allow us to compartmentalize things that are too difficult to comprehend?
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  1. How does the author develop themes of identity and belonging throughout the narrative?
  2. What role does the setting play in shaping the characters' decisions and relationships?
  3. Discuss how the ending reframes the events of the story. Were you surprised?


Unless otherwise stated, this discussion guide is reprinted with the permission of Henry Holt and Company. Any page references refer to a USA edition of the book, usually the trade paperback version, and may vary in other editions.

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