Anthony_Conty

"Project Hail Mary" by Andy Weir only suffers from comparisons to other books of its genre. If you have recently seen "Arrival" or "The Shape of Water," you expect a much different story.
Unlike most book flaps, this reveals very little to the reader before they enjoy it. It stated that a man wakes up on a spaceship, unaware of how he got there. That will contact you to about page 50. After that, you have much more to discover, and I think Weir wants you to do that on your own.

However, the novel excels in pontificating about our responsibility to save humanity, our ability to coexist with other lifeforms, and the scientific, and moral difficulties that a space traveler would face. It makes you think.
Your knowledge of physics and engineering will significantly influence how you read. Some will try to solve the problems, while others (read: me) will thank Weir for thinking for them. Astrophysics is no joke.

Usually, I get nervous when Hollywood gets a hold of a great novel, but I cannot wait to see these visuals on film. Of course, science fiction can exist as action capers, but the best work also has philosophical leanings. This adds up to the best novel I have read this year.

“Bewilderment” by Richard Powers only has one flaw: it is not “The Overstory," his sweeping epic combined stories about trees to meditate on the importance of all living things. Instead, an astrobiologist must raise a son, who may be on the Spectrum, on his own and appreciate his quirks, resulting in many moments that appreciate nature.

Powers has a knowledge of science and the world that few authors have; however, he paints his protagonist, Theo, with such a familiar brush that you relate to him even if his studies escape you and you need to Google a few things. Hearing about tales from the cosmos and his mother’s environmental studies through the lens of neurodiversity makes it thought-provoking.

When you use a university as a backdrop and throw in the elements of psychology associated with a highly diagnosed son, you work your readers’ minds without necessarily trying to influence them. The real action takes place in Robin’s mind, where you see an emergency as he does, and you admire the boy’s dedication to tasks that seem too large for us to make a difference.

The author made a unique choice, and I am obsessed with its meaning: he writes Robin’s, Theo’s son’s, statements in italics with no quotation marks while keeping the declarations of others in the traditional grammatical structure. I did not understand it for a while, but it shows how empathic his thoughts are and how intense they seem to typically-developing minds. You hang on to Robin’s every word as a result.

The finished product relates to a chorus of single parenthood, science fiction, astrobiology (I had no idea that career existed, but it does), environmental consciousness, and child psychology. Part of it may go over your head if you do not “know” science, but you relate to the characters enough to go along for the ride. I enjoyed what it made me think about as much as it had to say. Powers is a genius, in case his first book did not convince you as much as it did me.
(Note: the ending is a doozy. Please read it and discuss it with me. I am writing this while still processing it. )