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We Do Not Part by Han Kang

We Do Not Part

A Novel

by Han Kang
  • BookBrowse Review:
  • Critics' Consensus (3):
  • Readers' Rating (9):
  • First Published:
  • Jan 21, 2025, 272 pages
  • Paperback:
  • Mar 2026, 272 pages
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Power Reviewer
Cathryn_Conroy

Powerful and Profound, but Also Haunting and Harrowing
"I feel as if I've opened the door to a dream within a dream and stepped inside," says the main character, Kyungha, near the end of this profound, disturbing, and harrowing novel by Han Kang, who won the Nobel Prize for Literature in 2024, the first Asian woman and the first South Korean to receive this honor. This sentence in the book perfectly describes my feeling as a reader of this book: I opened the door to a dream within a dream. And it was a bit fevered as well.

It's a cold winter morning in Seoul when Kyungha receives an urgent and cryptic message from her dear friend Inseon to come immediately. But Inseon lives on Jeju Island. Kyungha soon realizes that Inseon is in Seoul in a hospital, and the situation is dire. Inseon asks Kyungha to travel to Jeju Island immediately to save the life of her pet bird, who has already been without food or water for several days. The journey—by air, bus, and foot—is treacherous due to a massive snowstorm that makes travel nearly impossible. Barely alive, Kyungha finally arrives at Inseon's remote home on the island. What she finds there is a dead bird and in her fevered state she experiences that horrifying dream within a dream…or is it all real?

The haunting subtext of the novel—the dream that is really a nightmare of the worst kind—is a recounting in quite (gory) detail of the 1948 massacre of 30,000 civilians on Jeju Island by anti-communist troops. The innocent civilians—from infants to the elderly—were forced out of their homes and summarily shot; their bodies were shoved into the ocean or hidden in a cobalt mine or buried in the ground under what later became a runway at the Jeju Island airport. This novel tells about those atrocities from the point of view of one family and all they suffered and then kept secret for decades. It is very difficult and grueling reading, but a vital part of hidden history. And as horrific as it is, this is a story that needs to be told.

But most of all, this is a novel about human endurance, the power of a deep, abiding friendship, and a salute to the inner meaning of our fragile and precarious lives. Filled with imagery and symbolism, this is a book that begins with horror but ends with hope.

When I first started this book, I fully intended to read it quickly. It's not that long, after all. But I soon realized that this is a book best read in small parts—a little each day. It's just too intense for more than that. It's the stuff of nightmares, if you're not careful about the time of day you read it. But don't let that scare you off. This is such an important and vital book to the literary canon. It tells the story of things others would like us to not remember or never know happened.
jillg

Grief, Memory, and the Cost of Silence
Narrated by Greta Jung

One must never forget the past so that horrifying moments are never repeated.

We Do Not Part is a complex and deeply moving story in which Han Kang explores the friendship between two women and their pursuit of uncovering the horrific atrocities of mass killings in Korean history, while also confronting how a nation processes and moves forward collectively. Kang emphasizes that both speaking and listening are essential to bringing buried stories into the world, presenting this idea through a simple yet intimate exchange between two friends.

Both Kyungha and Inseon have been deeply affected by personal loss and by the emotional pain connected to Korea’s violent and suppressed political history.

Han Kang’s writing is quiet, and emotional. She uses simple language to explore themes of grief, memory, friendship, and loss. Dreams appear throughout the story, often blurring the line between dream and reality. The symbolism Kang weaves into the narrative—from concealment and lost identity to the physical and emotional obstacles Kyungha endures on her journey, and finally to the possibility of hope— is nothing short of brilliant.

This is my first book by Han Kang and look forward to reading more of her books.
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