BookBrowse Reviews You Will Not Have My Hate by Antoine Leiris

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You Will Not Have My Hate

by Antoine Leiris

You Will Not Have My Hate by Antoine Leiris X
You Will Not Have My Hate by Antoine Leiris
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  • First Published:
    Oct 2016, 144 pages
    Oct 2017, 144 pages

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Book Reviewed by:
Kim Kovacs

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About this Book



A father and a husband mourns the tragic loss of his wife to terrorism.

On Friday, November 13, 2015, a series of coordinated terrorist attacks in Paris left 130 people dead, 89 of them at the city's Bataclan theater (see 'Beyond the Book'). Antoine Leiris's wife Hélène was at the Bataclan that night. In You Will Not Have My Hate he writes about waiting to learn her fate and the subsequent process of grieving her death.

The title is somewhat deceptive because it makes one believe that the book might not only detail the author's experiences but also discuss his response to terrorism. In fact, only a few pages move the focus beyond the intimate portrayal of one man's grief. The book's genesis is a Facebook posting, made a few days after Hélène's death, which encapsulates Leiris's opinion about the attackers:

On Friday night, you stole the life of an exceptional being, the love of my life, the mother of my son, but you will not have my hate. I don't know who you are and I don't want to know. You are dead souls. If that God for whom you blindly kill made us in his image, each bullet in my wife's body will have been a wound in his heart.

So, no, I will not give you the satisfaction of hating you. That is what you want, but to respond to your hate with anger would be to yield to the same ignorance that made you what you are. You want me to be scared, to see my fellow citizens through suspicious eyes, to sacrifice my freedom for security. You have failed. I will not change.

This important sentiment deserves to be shared widely. The narrative, however, is mostly an expression of the author's anguish at the loss of his soulmate and the pain of knowing their 17-month old son Melvil will grow up without his mother, too young to process her death.

Leiris has an impressive ability to surface above the fog of his grief and catalog his experiences and others' reactions. The work doesn't feel episodic even if the author admits the book doesn't relay a complete story: "There are only these instants that rise up, taking me by surprise. It was these moments I had to write about, Polaroids of a life that has not yet gotten its breath back."

Leiris's writing, ably translated by Sam Taylor, borders on poetry and is astonishing in its beauty:

At the day-care center, everyone knows. When I arrive each morning, every person I see wears a mask. The carnival of the dead. Even if I tell them the fable of a man who will not lose control, I cannot persuade them to take off the masks. I know that, for them, I am no longer me: I am a ghost, the ghost of Hélène.

Melvil is alive. Almost as soon as he gets there, the masks come off. He enters on tiptoe, says good-bye to me, smiles, and one burst of laughter is all it takes for the funeral faces to fall to the bottom of the toy chest.

Leiris meticulously chronicles the swirl of emotions he experienced—from the moment he saw the horrifying headlines on the television news to the first glimmer of hope that he might begin to enjoy life again, weeks later. With breathtaking intensity, he writes about his initial inability to connect events to his wife ("I should call [Hélène], tell her it would be a good idea to take a taxi home") to the increasing fear that she was among the casualties. Although all grief is unique, in exposing his own so nakedly he hits sympathetic chords that transform it into something that universally resonates. His sorrow becomes our own. Readers who have known sudden, tragic loss will undoubtedly relate completely to Leiris's reactions, while those who haven't will better understand what it's like to lose the person around whom one's life revolves.

You Will Not Have My Hate is exceptionally slim, but it packs a powerful punch. Not everyone will be able to handle such a deeply sorrowful work, but those who do will likely be profoundly moved.

Reviewed by Kim Kovacs

This review was originally published in November 2016, and has been updated for the October 2017 paperback release. Click here to go to this issue.

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