I have been reading Tom Wolfe for decades, from non-fiction work such as The Electric Kool-Aid Acid Test to his first novel, The Bonfire of the Vanities, through A Man in Full to this, his latest, Back to Blood. The manic rhythms and hip verbosity of his writing are instantly recognizable even to the point of repeating various tropes. His propensity for naming and counting the musculature of male characters as well as the delights of female bodies shows up in every book. This book was no different. Though I have acquired a taste for his methods, many were the times I threw down Back to Blood and vowed not to pick it up again. For instance, he inserts a cartoon-like soundtrack into his prose:
"SMACK the Safe Boat bounces airborne comes down again SMACK on another swell in the bay bounces up again comes down SMACK on another swell and SMACK bounces airborne with emergency horns police ...
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