BookBrowse Reviews Blind Willow, Sleeping Woman by Haruki Murakami

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Blind Willow, Sleeping Woman

by Haruki Murakami

Blind Willow, Sleeping Woman by Haruki Murakami X
Blind Willow, Sleeping Woman by Haruki Murakami
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  • First Published:
    Aug 2006, 352 pages
    Oct 2007, 384 pages

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About this Book



While anyone can tell a story that resembles a dream .. it's the rare artist who can make us feel that we are dreaming it ourselves. Short Stories

Murakami's last book of short stories to be published in English was After The Quake, a collection of six stories relating to the Kobe earthquake (see sidebar). His new collection is something quite different; instead of a small selection of short stories relating to one event, he presents us with 25 stories written over 25 years from 1980 to 2005, many of which have previously been published in The New Yorker, Granta and Harper's.

Although the stories are not presented chronologically, a clear progression in his writing style can be seen - from the early stories that are so surreal as to be almost indescribable, to his more tangible recent stories. It's even possible to see differences between the stories translated by Jay Rubin, as opposed to Philip Gabriel - apparently, the two translators find themselves drawn to different aspects of Murakami's work, so that Rubin translates most of Murakami's more fantastical tales (which one reviewer felt were "at best clever, at worst gimmicky and aggravating"); whereas Gabriel translates the more emotional (arguably more mature) stories, where fantasy takes a back seat to character development.

As a general rule, it's advisable to spread the reading of most short story collections over a number of days, but this is especially the case with this collection where the characters tend to blur into each other after a few stories. All Murakami's protagonists seem to be obsessed by the same things - they have little or no interest in modern Japanese culture, let alone traditional Japanese culture, but instead embrace everything Western; as one reviewer observes, "if the protagonists in this collection were all assembled, they would discover a series of typically Murakami-like freakish coincidences about themselves; not only does one of them like Balzac, but they all do; they all prefer spaghetti to sushi; they all find solace in Debussy, Dickens and Descartes."

If you're an aficionado of all things Murakami this is a collection you'll want to read cover to cover, probably in chronological order so as to see how his writing has changed over time. However, if you've enjoyed some of his earlier works but been a little bemused by others (or this is the first time you've read anything by Murakami) you'd be best to read strategically, skipping over the stories that don't resonate, and leaving a reasonable amount of time between mouthfuls.

About The Author: Haruki Murakami was born in Kyoto in 1949 and graduated from the Waseda University, Tokyo, in 1975. He wrote his first novel, Hear the Wind Sing (1979, translated 1987) in his thirties, but his major breakthrough came in 1987 with the publication of Norwegian Wood - a coming of age story named after the Beatles' song, which differs from his other novels in that it is written in a realistic style, whereas his other novels and many of his short stories have strong fantasy elements.

He and his wife lived in Europe from 1986 to 1991, and in the USA from 1991 to 1995, where he taught at Princeton. After the Kobe earthquake and the poison gas attacks on the Tokyo subway in 1995* he returned to Tokyo to interview both attack victims and members of the religious cult Aum Shinrikyo, from which he wrote two non-fiction books. These were edited and combined into one English language volume, Underground (2000). Soon after, he published After The Quake (2002), a collection of six stories relating to the Kobe earthquake .... continued in sidebar.

This review was originally published in September 2006, and has been updated for the October 2007 paperback release. Click here to go to this issue.

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