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In the afternoon, Alison finds a cartoon for Clairey on TV.
"I'm going to the gift shop to poke around. Back soon," she says, not asking if her sister would like to come along.
Though she does not like cartoons, Claire watches dutifully. When the show ends, Alison is still not back. Claire walks out to the balcony. The rain falls in silver curtains. Palms toss in the wind. She looks out at the ocean. There is a person out there, swimming—she can see the head bobbing in the waves; it glints in and out of visibility in the surf, there and not there, back then gone again. Far out, the swimmer stops. The head bobs in place, facing away from shore, in the direction of the little island that is shrouded in mist, like a place in a fairy tale. As Claire looks at it, her heart flutters, and she remembers again the disappointment of mist—how you can never be in it; how as soon as you walk into it, it vanishes through your fingers, so that the little island as it appears from here is a place you can never, ever reach, no matter how you try.
The swimmer begins to stroke again. Claire watches as the figure moves around the black rocks that jut out from shore at the edge of Indigo Bay and disappears.
"Got you something," Alison says when she returns to the room later.
From a shopping bag she removes a puka shell necklace. Claire bends her head and her sister slips it over, twisting it into a double strand.
"Look at you, pretty," Alison says.
Her hair is wet.
* * *
THAT NIGHT, Claire is awakened by the sound of a key rattling in the lock. As she surfaces from dreams, she watches the door to the hotel room open. Her sister tiptoes across the room and slides into bed. In the morning Claire wakes at dawn to find her sister's bed empty. She is on the balcony, her eyes fixed on something in the distance. It seems her sister is hardly sleeping at all.
* * *
THE ACTOR cannot set himself at ease. The ocean is too near. His girlfriend tests him. She frolics in the waves, dives into the crests. Each time she disappears, fear grips him. She knows this and enjoys it, and the pleasure she derives from his fear makes him want to wring her.
She keeps pestering him about chartering a boat to Faraway Cay. The concierge has advised against this, on account of the goats, and recommended Tamarind Island instead, but she has decided this makes Faraway Cay off the beaten path and, therefore, more desirable. She says the beach is supposed to be even more beautiful than at Indigo Bay. (Is Indigo Bay not beautiful enough? Is there no such thing as enough beauty, as all of it you could possibly need?) In Faraway Cay's interior there is a waterfall. They must see it. He must overcome this silly fear once and for all. She will help him. (How nice for her.)
At night he dreams of death by water. A whirlpool sucks him into its maw. The deep seas swell and swallow him. Dead, underwater, he feels his body bloat and stiffen. He hears the roving cries of gulls.
* * *
ON NEW Year's Eve, Indigo Bay holds a dinner barbecue on the beach. There is a live calypso band—three men in matching tan fedoras and short-sleeved floral button-downs, the cheerful reverberations of a steel-pan. Tiki torches. A buffet of local specialties—roasted sea crayfish, conch creole, mashed dasheen; chicken nuggets and spaghetti for the children. The guests drink piña coladas. They pick and suck the crayfish clean and lick the sweet ocean juice from their fingers. Small children toddle, woozy with happiness, before the torch-lit faces of the band.
When the band begins to play "Day-O," Alison sings along.
"Come on, Clairey. You know the words," she prods.
Claire is tentative at first, her voice barely a whisper, but as the song continues, it grows louder.
Excerpted from Saint X by Alexis Schaitkin. Copyright © 2020 by Alexis Schaitkin. Excerpted by permission of Celadon. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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