Excerpt from Planet Funny by Ken Jennings, plus links to reviews, author biography & more

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Planet Funny by Ken Jennings

Planet Funny

How Comedy Took Over Our Culture

by Ken Jennings
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  • First Published:
  • May 29, 2018, 320 pages
  • Paperback:
  • Jul 2019, 320 pages
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When everyone starts to turn into a comedy expert, very specific comic tropes and references can start to invade real life in surprising ways. The Kazakhstani government took out a four-page ad in the New York Times to rebut Sacha Baron Cohen's roasting of the Central Asian republic in his movie Borat. ("Nothing disturbing happens to me here," enthused a Turkish architect quoted in the puff piece.) Professional football players like Von Miller and Lance Moore have been flagged and fined for reenacting the touchdown dance of Hingle McCringleberry, a character from a Key and Peele sketch, in actual NFL games. In 2011, Australian morning show host Karl Stefanovic, given a few minutes to interview the Dalai Lama, even tried to tell the Tibetan spiritual leader the classic joke about the Dalai Lama walking into a pizza shop. "Make me one with everything!" is the punch line. His Holiness just stared at Stefanovic blankly.

The most shocking comedy/reality crossover came in 2014, when Seth Rogen and his writing partner Evan Goldberg announced they were making The Interview, about two tabloid TV journalists who are recruited by the CIA to assassinate North Korean dictator Kim Jong-un. The premise didn't feel particularly edgy to me; it was a comfy throwback to the days when Leslie Nielsen would reenact Three Stooges smack-fights with Ayatollah Khomeini and Muammar Gaddafi in a Naked Gun movie, or Saddam Hussein would show up on South Park. You could even go back fifty years earlier. When Robert Benchley published a silly faux interview with Benito Mussolini, or Bugs Bunny terrorized Hitler and Goering, no one was actually afraid the dictators in question would seek revenge on comedy writers. (Even in the case of Charlie Chaplin's celebrated The Great Dictator, an international smash hit, there's no firm evidence that Hitler ever even saw it.)

But this time, things couldn't have gone more differently. Six months before The Interview's planned release, North Korea's state-run media called the still-in-production movie "the most blatant act of terrorism and war" and vowed "merciless" retaliation. It was one thing to blow up the leader of North Korea in a fiery helicopter explosion onscreen, but now the moviemakers began to get cold feet: what if the carnage spilled over into real life? Sony asked Rogen and Goldberg if they'd consider rewriting the ending so Kim would survive. They refused, but writer Dan Sterling worried openly about his silly screenplay leading to "some kind of humanitarian disaster." "I would be horrified," he said. When North Korea threatened terrorist attacks at theaters that screened The Interview, Sony canceled its wide release in favor of a digital rollout—and was criticized by President Obama for capitulating to terrorism. In the end, the only real casualty of the threats turned out to be Sony cochair Amy Pascal, who stepped down after a massive data dump, almost certainly coordinated by North Korean hackers, revealed months of embarrassing studio secrets.

It was a rude awakening to open the newspaper one morning and realize that James Franco and Seth Rogen would probably be appearing in my kids' and grandkids' history textbooks. (That was the best case. Worst case was North Korea getting a missile that could reach the Pacific Northwest, and my kids and grandkids not existing to read history textbooks.) Stern, saber-rattling statements between two nuclear powers, followed by one of the biggest acts of cyberterrorism in history, had been provoked by a goofy stoner comedy. It was all almost as unfunny as the movie itself turned out to be.

What changed between The Great Dictator and The Interview? Sure, you could chalk it up to the unprecedented paranoia and strategic chaos practiced by the North Korean regime. But the real takeaway is that Kim probably wasn't wrong. North Korea has always survived by trading on larger countries' perception of its government as dangerous and unpredictable. Seth Rogen's painting "Supreme Leader" as a buffoon and then blowing him up for big movie laffs might have a real effect on how long his regime will last.

Excerpted from Planet Funny by Ken Jennings. Copyright © 2018 by Ken Jennings. Excerpted by permission of Scribner. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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