Excerpt from Killers of the Flower Moon by David Grann, plus links to reviews, author biography & more

Chapter 1

The Vanishing

In April, millions of tiny flowers spread over the blackjack hills and vast prairies in the Osage territory of Oklahoma. There are Johnny-­jump-­ups and spring beauties and little bluets. The Osage writer John Joseph Mathews observed that the galaxy of petals makes it look as if the "gods had left confetti." In May, when coyotes howl beneath an unnervingly large moon, taller plants, such as spiderworts and black-­eyed Susans, begin to creep over the tinier blooms, stealing their light and water. The necks of the smaller flowers break and their petals flutter away, and before long they are buried underground. This is why the Osage Indians refer to May as the time of the flower-­killing moon.

On May 24, 1921, Mollie Burkhart, a resident of the Osage settlement town of Gray Horse, Oklahoma, began to fear that something had happened to one of her three sisters, Anna Brown. Thirty-­four, and less than a year older than Mollie, Anna had disappeared three days earlier. She had often gone on "sprees," as her family disparagingly called them: dancing and drinking with friends until dawn. But this time one night had passed, and then another, and Anna had not shown up on Mollie's front stoop as she usually did, with her long black hair slightly frayed and her dark eyes shining like glass. When Anna came inside, she liked to slip off her shoes, and Mollie missed the comforting sound of her moving, unhurried, through the house. Instead, there was a silence as still as the plains.

Mollie had already lost her sister Minnie nearly three years earlier. Her death had come with shocking speed, and though doctors had attributed it to a "peculiar wasting illness," Mollie harbored doubts: Minnie had been only twenty-­seven and had always been in perfect health.

Like their parents, Mollie and her sisters had their names inscribed on the Osage Roll, which meant that they were among the registered members of the tribe. It also meant that they possessed a fortune. In the early 1870s, the Osage had been driven from their lands in Kansas onto a rocky, presumably worthless reservation in northeastern Oklahoma, only to discover, decades later, that this land was sitting above some of the largest oil deposits in the United States. To obtain that oil, prospectors had to pay the Osage for leases and royalties. In the early twentieth century, each person on the tribal roll began receiving a quarterly check. The amount was initially for only a few dollars, but over time, as more oil was tapped, the dividends grew into the hundreds, then the thousands. And virtually every year the payments increased, like the prairie creeks that joined to form the wide, muddy Cimarron, until the tribe members had collectively accumulated millions and millions of dollars. (In 1923 alone, the tribe took in more than $30 million, the equivalent today of more than $400 million.) The Osage were considered the wealthiest people per capita in the world. "Lo and behold!" the New York weekly Outlook exclaimed. "The Indian, instead of starving to death?.?.?.??enjoys a steady income that turns bankers green with envy."

The public had become transfixed by the tribe's prosperity, which belied the images of American Indians that could be traced back to the brutal first contact with whites—­the original sin from which the country was born. Reporters tantalized their readers with stories about the "plutocratic Osage" and the "red millionaires," with their brick-­and-­terra-­cotta mansions and chandeliers, with their diamond rings and fur coats and chauffeured cars. One writer marveled at Osage girls who attended the best boarding schools and wore sumptuous French clothing, as if "une très jolie demoiselle of the Paris boulevards had inadvertently strayed into this little reservation town."

At the same time, reporters seized upon any signs of the traditional Osage way of life, which seemed to stir in the public's mind visions of "wild" Indians. One article noted a "circle of expensive automobiles surrounding an open campfire, where the bronzed and brightly blanketed owners are cooking meat in the primitive style." Another documented a party of Osage arriving at a ceremony for their dances in a private airplane—­a scene that "outrivals the ability of the fictionist to portray." Summing up the public's attitude toward the Osage, the Washington Star said, "That lament, 'Lo the poor Indian,' might appropriately be revised to, 'Ho, the rich redskin.'?"

Excerpted from Killers of the Flower Moon by David Grann. Copyright © 2017 by David Grann. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.