Join BookBrowse today and get access to free books, our twice monthly digital magazine, and more.

Excerpt from The Sellout by Paul Beatty, plus links to reviews, author biography & more

Summary |  Excerpt |  Reading Guide |  Discuss |  Reviews |  Beyond the Book |  Readalikes |  Genres & Themes |  Author Bio

The Sellout

by Paul Beatty

The Sellout by Paul Beatty X
The Sellout by Paul Beatty
  • Critics' Opinion:

    Readers' Opinion:

  • First Published:
    Mar 2015, 304 pages

    Paperback:
    Mar 2016, 304 pages

    Genres

  • Rate this book


Book Reviewed by:
Norah Piehl
Buy This Book

About this Book

Print Excerpt

One

I suppose that's exactly the problem-I wasn't raised to know any better. My father was (Carl Jung, rest his soul) a social scientist of some renown. As the founder and, to my knowledge, sole practitioner of the field of Liberation Psychology, he liked to walk around the house, aka "the Skinner box," in a laboratory coat. Where I, his gangly, absentminded black lab rat was homeschooled in strict accordance with Piaget's theory of cognitive development. I wasn't fed; I was presented with lukewarm appetitive stimuli. I wasn't punished, but broken of my unconditioned reflexes. I wasn't loved, but brought up in an atmosphere of calculated intimacy and intense levels of commitment.

We lived in Dickens, a ghetto community on the southern outskirts of Los Angeles, and as odd as it might sound, I grew up on a farm in the inner city. Founded in 1868, Dickens, like most California towns except for Irvine, which was established as a breeding ground for stupid, fat, ugly, white Republicans and the chihuahuas and East Asian refugees who love them, started out as an agrarian community. The city's original charter stipulated that "Dickens shall remain free of Chinamen, Spanish of all shades, dialects, and hats, Frenchmen, redheads, city slickers, and unskilled Jews." However, the founders, in their somewhat limited wisdom, also provided that the five hundred acres bordering the canal be forever zoned for something referred to as "residential agriculture," and thus my neighborhood, a ten-square-block section of Dickens unofficially known as the Farms was born. You know when you've entered the Farms, because the city sidewalks, along with your rims, car stereo, nerve, and progressive voting record, will have vanished into air thick with the smell of cow manure and, if the wind is blowing the right direction-good weed. Grown men slowly pedal dirt bikes and fixies through streets clogged with gaggles and coveys of every type of farm bird from chickens to peacocks. They ride by with no hands, counting small stacks of bills, looking up just long enough to raise an inquisitive eyebrow and mouth: "Wassup? Q'vo?" Wagon wheels nailed to front-yard trees and fences lend the ranch-style houses a touch of pioneer authenticity that belies the fact that every window, entryway, and doggie door has more bars on it and padlocks than a prison commissary. Front porch senior citizens and eight-year-olds who've already seen it all sit on rickety lawn chairs whittling with switchblades, waiting for something to happen, as it always did.

For the twenty years I knew him, Dad had been the interim dean of the department of psychology at West Riverside Community College. For him, having grown up as a stable manager's son on a small horse ranch in Lexington, Kentucky, farming was nostalgic. And when he came out west with a teaching position, the opportunity to live in a black community and breed horses was too good to pass up, even if he'd never really been able to afford the mortgage and the upkeep.

Maybe if he'd been a comparative psychologist, some of the horses and cows would've lived past the age of three and the tomatoes would've had fewer worms, but in his heart he was more interested in black liberty than in pest management and the well-being of the animal kingdom. And in his quest to unlock the keys to mental freedom, I was his Anna Freud, his little case study, and when he wasn't teaching me how to ride, he was replicating famous social science experiments with me as both the control and the experimental group. Like any "primitive" Negro child lucky enough to reach the formal operational stage, I've come to realize that I had a shitty upbringing that I'll never be able to live down.

I suppose if one takes into account the lack of an ethics committee to oversee my dad's childrearing methodologies, the experiments started innocently enough. In the early part of the twentieth century, the behaviorists Watson and Rayner, in an attempt to prove that fear was a learned behavior, exposed nine-month-old "Little Albert" to neutral stimuli like white rats, monkeys, and sheaves of burned newsprint. Initially, the baby test subject was unperturbed by the series of simians, rodents, and flames, but after Watson repeatedly paired the rats with unconscionably loud noises, over time "Little Albert" developed a fear not only of white rats but of all things furry. When I was seven months, Pops placed objects like toy police cars, cold cans of Pabst Blue Ribbon, Richard Nixon campaign buttons, and a copy of The Economist in my bassinet, but instead of conditioning me with a deafening clang, I learned to be afraid of the presented stimuli because they were accompanied by him taking out the family .38 Special and firing several window-rattling rounds into the ceiling, while shouting, "Nigger, go back to Africa!" loud enough to make himself heard over the quadraphonic console stereo blasting "Sweet Home Alabama" in the living room. To this day I've never been able to sit through even the most mundane TV crime drama, I have a strange affinity for Neil Young, and whenever I have trouble sleeping, I don't listen to recorded rainstorms or crashing waves but to the Watergate tapes.

Excerpted from The Sellout by Paul Beatty. Copyright © 2015 by Paul Beatty. Excerpted by permission of Picador. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Membership Advantages
  • Reviews
  • "Beyond the Book" articles
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $45 for 12 months or $15 for 3 months.
  • More about membership!

Beyond the Book:
  The Our Gang Films

Support BookBrowse

Join our inner reading circle, go ad-free and get way more!

Find out more


Top Picks

  • Book Jacket: The Familiar
    The Familiar
    by Leigh Bardugo
    Luzia, the heroine of Leigh Bardugo's novel The Familiar, is a young woman employed as a scullion in...
  • Book Jacket: Table for Two
    Table for Two
    by Amor Towles
    Amor Towles's short story collection Table for Two reads as something of a dream compilation for...
  • Book Jacket: Bitter Crop
    Bitter Crop
    by Paul Alexander
    In 1958, Billie Holiday began work on an ambitious album called Lady in Satin. Accompanied by a full...
  • Book Jacket: Under This Red Rock
    Under This Red Rock
    by Mindy McGinnis
    Since she was a child, Neely has suffered from auditory hallucinations, hearing voices that demand ...

BookBrowse Book Club

Book Jacket
Only the Beautiful
by Susan Meissner
A heartrending story about a young mother’s fight to keep her daughter, and the terrible injustice that tears them apart.

Members Recommend

  • Book Jacket

    The House on Biscayne Bay
    by Chanel Cleeton

    As death stalks a gothic mansion in Miami, the lives of two women intertwine as the past and present collide.

  • Book Jacket

    The Flower Sisters
    by Michelle Collins Anderson

    From the new Fannie Flagg of the Ozarks, a richly-woven story of family, forgiveness, and reinvention.

Win This Book
Win The Funeral Cryer

The Funeral Cryer by Wenyan Lu

Debut novelist Wenyan Lu brings us this witty yet profound story about one woman's midlife reawakening in contemporary rural China.

Enter

Wordplay

Solve this clue:

M as A H

and be entered to win..

Your guide toexceptional          books

BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.