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The first photograph was of a pair of wide windows, their frames filled with trees and the undulations of the Heath. As an autumn wind buffeted the back of the cottage, the fire crackling beside him, Michael scrolled through the other imagesa broad street of Georgian town houses, occasionally interrupted by modern blocks; two sparsely furnished bedrooms; a living area, the carpet stained and worn; an outdated galley kitchen in magnolia and pine.
It was a flat of many lives. Many people had stood at those windows and lain on those beds. With Caroline gone, Michael needed to start again. But he also did not want to start again. So he'd replied to Peter and said yes. Partly because the flat looked more like a holding pattern than a new beginning. But also because he knew Peter was only doing what Caroline had asked of him. Trying to take care of her husband, to help. Michael hoped perhaps once he was settled back in London, Peter might feel less diligent about his duty; that, having housed Michael, he might feel able to leave him alone.
When Michael and Caroline had moved from London to Wales they'd hired the removal company's largest lorry to bring their combined belongings to Coed y Bryn. They'd both led independent, largely single lives into their thirties and although neither had been rooted for long, both had been keepers rather than leavers. Michael's books and belongings were scattered in storage lockers and friends' spare rooms on both sides of the Atlantic, while the detritus of his teenage years was still in the attic of his late parents' house in Cornwall. Caroline, despite her nomadic lifestyle, had fostered a magpie's attraction for artefacts, shoes, and furniture. Between them, through a decade's succession of apartments and flats, they'd accumulated enough belongings to fill a house twice the size of the cottage.
The addresses that had led Caroline to Coed y Bryn were a paper trail of the regions she'd covered as a foreign correspondent for a U.S. satellite station. Since leaving university she'd had homes on several continents. Often they were no more than places to pass through. A series of studios, company flats, rooms in shared houses in Cape Town, Nairobi, Sydney, Berlin, and Beirut. In 2001, still in her twenties, she'd been embedded with an Uzbek division of the Northern Alliance as they'd fought their way towards Kabul. In 2003 she'd celebrated her thirtieth birthday with a bottle of Jack Daniel's and an American marine in the back of an armoured car on the outskirts of Baghdad. Until she met Michael, her life had been a sequence of erratic excitements. Airports relaxed her, as if transit was her natural domain. Arrivals and departures were her strongest memories, bracketing, as they did, the chapters of her life. For Caroline, giving herself to the rhythm of events was a kind of freedom. Being sent on a story at short notice, having no say in where she went, or when. And it was familiar, too. Born in Cape Town, brought up in Melbourne, university in Boston. She'd always been the newcomer, the outsider, her belongings left in storage while she moved on again.
As Caroline grew into her job through her twenties she began to pride herself on her ability for assimilation, on her detachment from attachment. When she changed planes on a grey day in Amsterdam her tanned skin spoke of rocky deserts, souks, and bazaars. In clubs and bars men sensed her transience like a pheromone. She would soon be gone. This is what she tried to communicate in the directness of her stare, which somehow gave her petite frame presence. She rarely wore makeup and her blonde hair was seldom as sleekly groomed as that of the other women perched along a hotel bar. Sometimes, if she'd just landed, a hint of stale sweat lingered on her clothes.
But still they came to her. Men who worked in offices, whose bodies remained structured by suits, even when they no longer wore them. In cafés, crowded pubs, sometimes even on the street, they came to her, recognising her brevity, as if she were a comet they knew would trace their nights only once in a lifetime.
Excerpted from I Saw a Man by Owen Sheers. Copyright © 2015 by Owen Sheers. Excerpted by permission of Nan A. Talese. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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