The war tried to kill us in the spring. As grass greened the plains of Nineveh and the weather warmed, we patrolled the low-slung hills beyond the cities and towns. We moved over them and through the tall grass on faith, kneading paths into the windswept growth like pioneers. While we slept, the war rubbed its thousand ribs against the ground in prayer. When we pressed onward through exhaustion, its eyes were white and open in the dark. While we ate, the war fasted, fed by its own deprivation. It made love and gave birth and spread through fire.
Then, in summer, the war tried to kill us as the heat blanched all color from the plains. The sun pressed into our skin, and the war sent its citizens rustling into the shade of white buildings. It cast a white shade on everything, like a veil over our eyes. It tried to kill us every day, but it had not succeeded. Not that our safety was preordained. We were not destined to survive. The fact is we were not destined at all. The war would take what it could get. It was patient. It didn't care about objectives, or boundaries, whether you were loved by many or not at all. While I slept that summer,the war came to me in my dreams and showed me its sole purpose: to go on, only to go on. And I knew the war would have its way.
The war had killed thousands by September. Their bodies lined the pocked avenues at irregular intervals. They were hidden in alleys, were found in bloating piles in the troughs of the hills outside the cities, the faces puffed and green, allergic now to life. The war had tried its best to kill us all: man, woman, child. But it had killed less than a thousand soldiers like me and Murph. Those numbers still meant something to us as what passed for fall began. Murph and I had agreed. We didn't want to be the thousandth killed. If we died later, then we died. But let that number be someone else's milestone.
We hardly noticed a change when September came. But I know now that everything that will ever matter in my life began then. Perhaps light came a little more slowly to the city of Al Tafar, falling the way it did beyond thin shapes of roof lines and angled promenades in the dark. It fell over buildings in the city, white and tan, made of clay bricks roofed with corrugated metal or concrete.The sky was vast and catacombed with clouds. A cool wind blew down from the distant hillsides we'd been patrolling all year. It passed over the minarets that rose above the citadel, flowed down through alleys with their flapping green awnings, out over the bare fields that ringed the city, and finally broke up against the scattered dwellings from which our rifles bristled. Our platoon moved around our rooftop position, grey streaks against the predawn light. It was still late summer then, a Sunday, I think. We waited.
For four days we had crawled along the rooftop grit. We slipped and slid on a carpeting of loose brass casings left over from the previous days' fighting. We curled ourselves into absurd shapes and huddled below the whitewashed walls of our position. We stayed awake on amphetamines and fear.
I pushed my chest off the rooftop and crested the low wall, trying to scan the few acres of the world for which we were responsible. The squat buildings beyond the field undulated through the tinny green of my scope. Bodies were scattered about from the past four days of fighting in the open space between our positions and the rest of Al Tafar. They lay in the dust, broken and shattered and bent, their white shifts gone dark with blood. A few smoldered among the junipers and spare tufts of grass and there was a heady mix of carbon and bolt oil and their bodies burning in the newly crisp air of morning.
I turned around, ducked back below the wall and lit a cigarette, shielding the cherry in my curled palm. I pulled long drags off it and blew the smoke against the top of the roof where it spread out, then rose and disappeared. The ash grew long and hung there and a very long time seemed to pass before it fell to the ground.
Excerpted from The Yellow Birds by Kevin Powers. Copyright © 2012 by Kevin Powers. Excerpted by permission of Little Brown & Company. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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No Man's Land
by Simon Tolkien
Inspired by the experiences of his grandfather, J. R. R. Tolkien, during World War I.
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