“O for God’s sake,” said Hassan, “what do you know about it. I’m a cook, and I’ve been cooking fish longer than you’ve been breathing. Listen to me, once upon a time the fish used to be half as big as this car.”
“For you old guys everything used to be bigger.”
With Hassan, this could go on for hours. Saleema asked again, “Can I open the window please?”
They were stuck in traffic going through the toll.
“Go ahead,” Samundar Khan said. “The air’s free.”
She couldn’t find the handle. Rafik leaned over and touched the button, and the window glided down. He pointed out at the river. The rising sun threw a broad stripe of orange on the chocolate brown water. Bicycles and donkey carts and gaudy Bedford trucks streamed in and out of the city over the bridge. He gestured with his eyes at Samundar Khan and Hassan debating nonsense in the front. “Wisdom against youth,” he whispered.
Saleema drove back into her childhood, through towns the same as those around her home a hundred miles to the east, rows of ugly concrete buildings, crowded bazaars, slums, ponds of sewage water choked with edible water lilies, then open country, groves of blossoming orange trees, the ripe mustard yellow with flowers; but she rode in an immaculate car instead of a bus crashing along thick with the odor of the crowd. She had painted her nails the night before; her hand rested on the sill of the window, the spring air brushing her fingers. She felt pretty. They drove through mango orchards, fields of harvest wheat. Rafik sat telling a rosary of worn plastic beads, mouthing the ninety-nine names of Allah, his eyes dull, allowing the landscape to pass through him.
They turned onto a single-lane road, which led first through barren salt flats, then irrigated fields, and finally into an orchard of old mango trees.
“All this belongs to Mian Sahib,” said Rafik.
They drove up a packed dirt road bordered with jasmine, along the brick wall that enclosed the house, running for several acres, and then into a cul-de-sac planted with rosewood trees. Ten or twelve men sat on benches and stools—the managers and other rising men who wanted to be noticed by the landowner. Rafik stepped out of the car and embraced them one by one. Several of them looked over at Saleema and said, “Salaam, Bibi jee.”
After they had tea Rafik said to her, “Come on, I’ll show you where Begum Kamila’s room is.”
They went through an ornate wooden door, set in the wall, and into a lush garden that stretched away and became lost among banyans and rosewood trees and open lawns.
She paused, shading her eyes with her hand, taking in the green sward.
“There’s more than you can see. If you like, I’ll show you later.”
Walking through a grassy courtyard, Rafik came to a door, removed his shoes, and knocked.
“Come in,” called Begum Kamila. She was sitting in an armchair reading a book. “So you’ve come, have you?”
She must once have been a very beautiful woman. She wore saris in bright colors and colored her long hair jet black, and on her third finger she wore an immense emerald set in gold, which Saleema once found lying next to the bathtub, and held in her palm for a long time, feeling the heft of the stone, guessing what it must be worth.
“Shall I light the fire, Begum Sahiba?” asked Rafik.
“Go ahead, it’ll take away the damp. I suppose Daddy’s about to call for lunch.”
Rafik kneeled in front of the fire, twisting sheets of newspaper into sticks.
Kamila’s bags had been placed on a long desk by the window, which overlooked another garden. Lines had been chalked in the grass for tennis and a net strung. Saleema took the toiletries into the bathroom and laid them out. Unlike the house in Lahore, where the doors were smudged with fingerprints and the paint flaked off the walls in strips, these rooms had been newly painted. The rugs were bright and clean, the brick floors had been washed, vases of flowers, badly arranged, had been placed all around, marigolds and roses.
Excerpted from In Other Rooms, Other Wonders by Daniyal Mueenuddin. © 2009 by Daniyal Mueenuddin. Excerpted by permission of W.W.Norton & Company. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Blood at the Root
"A gripping, timely, and important examination of American racism."
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