He called the place Pappas and Sons Coffee Shop. His boys were only eight and six when he opened in 1964, but he was thinking that one of them would take over when he got old. Like any father who wasn't a malaka, he wanted his sons to do better than he had done. He wanted them to go to college. But what the hell, you never knew how things would go. One of them might be cut out for college, the other one might not. Or maybe they'd both go to college and decide to take over the business together. Anyway, he hedged his bet and added them to the sign. It let the customers know what kind of man he was. It said, This is a guy who is devoted to his family. John Pappas is thinking about the future of his boys.
The sign was nice: black images against a pearly gray, with "Pappas" twice as big as "and Sons," in big block letters, along with a drawing of a cup of coffee in a saucer, steam rising off its surface. The guy who'd made the sign put a fancy P on the side of the cup, in script, and John liked it so much that he had the real coffee cups for the shop made the same way. Like snappy dressers got their initials sewn on the cuffs of a nice shirt. John Pappas owned no such shirts. He had a couple of blue cotton oxfords for church, but most of his shirts were white button- downs. All were wash- and- wear, to avoid the drycleaning expense. Also, his wife, Calliope, didn't care to iron.
Five short- sleeves for spring and summer and five long- sleeves for fall and winter, hanging in rows on the clothesline he had strung in the basement of their split- level. He didn't know why he bothered with the variety. It was always warm in the store, especially standing over the grill, and even in winter he wore his sleeves rolled up above the elbow. White shirt, khaki pants, black oilskin work shoes from Montgomery Ward. An apron over the pants, a pen holder in the breast pocket of the shirt. His uniform.
He was handsome in his way, with a prominent nose. He had turned forty- eight in the late spring of 1972. He wore his black hair high up top and swept back on the sides, a little bit over the ears, longish, like the kids. He had been going with the dry look the past few years. His temples had grayed. Like many men who had seen action in World War II, he had not done a sit- up or a push- up since his discharge, twenty- seven years ago. A marine who had come out of the Pacific campaign had nothing in the way of manhood to prove. He smoked, a habit he had picked up courtesy of the Corps, which had added cigarettes to his K rations, and his wind was not very good. But the physical nature of his work kept him in pretty fair shape. His stomach was almost flat. He was especially proud of his chest.
He arrived at the store at five a.m., two hours before opening time, which meant he rose each morning at four fifteen. He had to meet the iceman and the food brokers, and he had to make the coffee and do some prep. He could have asked for the deliveries to come later so that he could catch another hour of sleep, but he liked this time of his workday better than any other. Matter of fact, he always woke up wide- eyed and ready, without an alarm clock to prompt him. Stepping softly down the stairs so as not to wake his wife and sons, driving his Electra deuce- and- a-quarter down 16th Street, headlights on, one cigaretted hand dangling out the window, the road clear of traffic. And then the quiet time, just him and the Motorola radio in the store, listening to the smooth- voiced announcers on WWDC, men his age who had the same kind of life experience he had, not those fast- talkers on the rock- and- roll stations or the mavres on WOL or WOOK. Drinking the first of many coffees, always in a go- cup, making small talk with the delivery guys who dribbled in, a kinship there because all of them had grown fond of that time between night and dawn.
It was a diner, not a coffee shop, but coffee shop sounded better, "more high- class," Calliope said. Around the family, John just called the store the magazi. It sat on N Street, below Dupont Circle, just in from Connecticut Avenue, at the entrance to an alley. Inside were a dozen stools spaced around a horse shoe- shaped Formica- topped counter, and a couple of four- top booths along the large plate glass window that gave onto a generous view of Connecticut and N. The dominant colors, as in many Greek- owned establishments, were blue and white. The maximum seating was for twenty. There was a short breakfast fl urry and a two-hour lunch rush and plenty of dead space, when the four employees, all blacks, talked, horsed around, brooded, and smoked. And his older son, Alex, if he was working. The dreamer.
Copyright 2008 by George P. Pelecanos
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No Man's Land
by Simon Tolkien
Inspired by the experiences of his grandfather, J. R. R. Tolkien, during World War I.
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