The capture of the U.S. embassy in Tehran was a glimpse of something new and bewildering. It was the first battle in Americas war against militant Islam, a conflict that would eventually engage much of the world. Irans revolution wasnt just a localized power struggle; it had tapped a subterranean ocean of Islamist outrage. For half a century the traditionbound peoples of the Middle and Near East, owning most of the worlds oil resources, had been regarded as little more than valuable pawns in a worldwide competition between capitalist democracy and communist dictatorship. In the Arab states, the United States had thrown its weight behind conservative Sunni regimes, and in Iran behind Pahlavi, who stood as a bulwark against Soviet expansionism in the region. As the two great powers saw it, the Cold War would determine the shape of the world; all other perspectives, those from the so-called Third World, were irrelevant, or important only insofar as they influenced the primary struggle. An ignored but growing vision in the Middle East, nurtured in mosque and madrasah but considered quaint or backward by the Western world and even by many wealthy, well-educated Arabs and Persians, saw little difference between the great powers. Both were infidels, godless exploiters, uprooting centuries of tradition and trampling sacred ground in heedless pursuit of wealth and power. They were twin devils of modernity. The Islamist alternative they foresaw was an old twist on a familiar twentieth-century theme: totalitarianism rooted in divine revelation. It would take many years for the movement to be clearly seen, but the takeover of the embassy in Tehran offered an early glimpse. It was the first time America would hear itself called the Great Satan.
How and why did it happen? Who were the Iranian protesters who swarmed over the embassy walls that day, and what were they trying to accomplish? Who were the powers behind them, so heedless of age-old privileges of international diplomacy? What were their motives? Why was the United States so surprised by the event and so embarrassingly powerless to counter it? How justified were the Iranian fears that motivated it? How did one of the triumphs of Western freedom and technology, a truly global news media, become a tool to further an Islamo-fascist agenda, narrowly focusing the attention of the world on fifty-two helpless, captive diplomats, hijacking the policy agenda of America for more than a year, helping to bring down the presidency of Jimmy Carter, and leveraging a radical fundamentalist regime in Iran into lasting power?
The U.S. embassy in Tehran stood behind high brick walls midway down the citys muscular slope, where the land flattened into miles of low brown slums and, beyond them, the horizon-wide Dasht-e Kavir salt desert. Inside the enclosure was a parklike campus, a twenty-seven-acre oasis of green in a smoggy world of concrete and brick. Its primary structure, the chancery, bathed now in the swirling mist of the water angel, stood fifty or so feet behind the front gate, a blocks-long structure two tall stories high built in the dignified art deco style typical of American public buildings at midcentury. It looked like a big American high school, which is why years ago it had been dubbed Henderson High, after Loy W. Henderson, the first U.S. ambassador to use it, in the early fifties. Scattered beneath a grove of pine trees behind the chancery were the new concrete consulate buildings; the white Ambassadors Residence, a two-story structure with a wraparound second-story balcony; a smaller residence for the deputy chief of mission; a warehouse; a large commissary; a small office building and motor pool; and a row of four small yellow staff cottages. There were tennis courts, a swimming pool, and a satellite reception center.
Excerpted from Guests of the Ayatollah, (c) 2006 Mark Bowden. Reproduced by permission of Grove/Atlantic, Inc. All rights reserved.
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No Man's Land
by Simon Tolkien
Inspired by the experiences of his grandfather, J. R. R. Tolkien, during World War I.
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