Excerpt from The Water Room by Christopher Fowler, plus links to reviews, author biography & more

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The Water Room by Christopher Fowler

The Water Room

The Second Bryant & May Mystery

by Christopher Fowler
  • Critics' Consensus (4):
  • First Published:
  • Jun 28, 2005, 368 pages
  • Paperback:
  • Mar 2006, 512 pages
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About this Book

Print Excerpt

1

A CHANGE IN THE WEATHER

 

Arthur Bryant looked out over London and remembered.

Fierce sunlight swathed Tower Bridge beyond the rockeries of smouldering bomb-sites. A Thames sailing barge was arriving in the Pool of London with a cargo of palm kernels. Its dusty red sails sagged in the afternoon heat as it drifted past Broadway Dock at Limehouse, like a felucca on the Nile. Dairy horses trotted along the deserted Embankment, empty milk cans chiming behind them. Children swam from the wharves below St Paul's, while carping mothers fanned away stale air from the river steps. He could smell horse dung and tobacco, meadow grass, the river. The world had once moved forward in single paces.

The vision wavered and vanished, displaced by sun-flares from the sealed glass corridors of the new city.

The old man in the unravelling sepia scarf waited for the rest of the party to gather around him. It was a Saturday afternoon at the start of October, and London's thirteen-week heatwave was about to end with a vengeance. Already, the wind had changed direction, stippling the surface of the river with grey goose-pimples. Above the spire of St Paul's, patulous white clouds deepened to a shade reminiscent of overwashed socks. The enervating swelter was giving way to a cool breeze, sharp in the shadows. The change had undermined his group's stamina, reducing their numbers to a handful, although four polite but puzzled Japanese boys had joined thinking they were on the Jack the Ripper tour. Once everyone had settled, the elderly guide began the last section of his talk.

'Ladies and gentlemen . . .' He gave them the benefit of the doubt. 'If you would care to gather a little closer.' Arthur Bryant raised his voice as a red wall of buses rumbled past. 'We are now standing on Blackfriars—formerly Pitt—Bridge.' Remember to use the hands, he told himself. Keep their interest. 'Bridges are causeways across great divides, in this case the rich city on the north side—'hand usage to indicate north—'and the more impoverished south side. Does anyone have a Euro note in their pocket? Take it out and you'll find a bridge, the universal symbol for something that unites and strengthens.' He paused, less for effect than to catch his breath. Bryant really had no need to freelance as a city tour guide. His detective duties at the London Peculiar Crimes Unit would have kept a man half his age working late. But he enjoyed contact with the innocent public; most of the civilians he met in his day job were under criminal suspicion. Explaining the city to strangers calmed him down, even helped him to understand himself.

He pulled his ancient scarf tighter and abandoned his set text. What the hell, they were the last group of the season, and had proven pretty unresponsive. 'According to Disraeli,' he announced, ' "London is a nation, not a city." "That great cesspool into which all the loungers of the Empire are irresistibly drained," said Conan Doyle. "No duller spectacle on earth than London on a rainy Sunday afternoon," according to De Quincey, so take your pick. One of the planet's great crossing-points, it has more languages, religions and newspapers than any other place on earth. We divide into tribes according to age, wealth, class, race, religion, taste and personality, and this diversity breeds respect.' Two members of the group nodded and repeated the word 'diversity', like an Oxford Street language class. God, this lot's hard work, thought Bryant. I'm gasping for a cup of tea.

Excerpted from The Water Room by Christopher Fowler Copyright © 2005 by Christopher Fowler. Excerpted by permission of Bantam, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

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