Lee Earle "James" Ellroy is an American crime fiction writer and essayist. Ellroy is known for a telegrammatic prose style, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels The Black Dahlia (1987), The Big Nowhere (1988), L.A. Confidential (1990), White Jazz (1992), American Tabloid (1995), The Cold Six Thousand (2001), and Blood's a Rover (2009).
When his parents divorced in 1954, his mother got custody and moved to El Monte (a low income area in L.A). His mother was murdered there in 1958. James Ellroy's attempt to solve this still unsolved murder was the subject of his 1996 nonfiction work My Dark Places. After his mother's death, he moved in with his father.
Ellroy claims to have been turned on to crime fiction by The Hardy Boys. At the age of ten, his father bought him Jack Webb's The Badge, a history of the LAPD. He became obsessed with the book and studied it repeatedly. In this book, he discovered the story of the Black Dahlia, as well as the cops and crime figures he would later write about in the L.A. Quartet.
At the age of thirty, he wrote and sold his first novel.
He lives in Kansas City.
This biography was last updated on 09/19/2014.
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A Conversation with James Ellroy author of The Cold Six Thousand
In the opening paragraph of American Tabloid you write that
"America was never innocent." How does this theme further evolve in The
Cold Six Thousand?
America was founded on a bedrock of land grabs, slavery, religious extremism, colonial ambition, and genocide. The notion that America was innocent prior to Jack Kennedy's murder is preposterous; by the rules he lived by, Jack got what he deserved. He took aid from organized crime during the 1960 election; he repaid the debt by siccing his kid brother Bobby on the Mob at large. He betrayed the Cuban exiles at the Bay of Pigs. He pissed off a hot-headed troika of mobsters, exiles and renegade CIA men involved in the Cuban cause. They whacked him for it. His death derived from the perennial motives of money and turf. It was a gaudy homicide that set the stage for the out-of-control America that I portray in The Cold Six Thousand.
So you really think the Mob called the hits on JFK, Martin Luther King Jr, and Bobby Kennedy?
I'm convinced that the Mob, in cahoots with Cuban exiles and renegade CIA elements, whacked Jack Kennedy. That said, I'm a novelist -- and my job is the creation of ...
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