Andrew Taylor (b. 1951) grew up in East Anglia and was educated at The King's School in Norfolk, and Woodbridge School in Suffolk. He read English at Emmanuel College Cambridge, and and has an MA in Library, Archive and Information Science from University College London.
At the time of writing his books include:
He is the only author to have won the Crime Writer's Association Historical Dagger twice, with The Office of the Dead and The American Boy.
He is married, with two children. and has lived for many years in Coleford in the Forest of Dean on the borders of England and Wales.
For a complete bibliography see FantasticFiction
Andrew Taylor's website
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In Search of Lost Plots by Andrew Taylor
Recently [October 2011] the Cheltenham Festival of Literature asked me to run a workshop on plots, presumably on the assumption that I must know something about the subject since I make my living writing crime novels. But, as many novelists will confirm, the one doesn't necessarily follow from the other. You can drive a car without necessarily having the faintest idea about how to design and build the mechanics under the bonnet.
Still, the organisers had a touching faith in my powers so I did my best to assemble a few ideas that I and other novelists have found useful. But the hard truth is this: each novel is a different journey, and each author must make his or her own road map for it - and sometimes this can be done only afterwards, because we may not know our destination when we start.
Plot is a bugbear for many fiction writers, and a common source of writer's block. Characterization, theme, setting and dialogue seem to flow naturally and often enjoyably. But plot is where the process gets painful. There are no simple remedies - it's one thing to write a wonderful opening to a story but, to continue it and bring it to a satisfying ending, you need a plot. Your story needs a ...
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