Andrew Davidson was born in Pinawa, Manitoba, and graduated in 1995 from the University of British Columbia with a B.A. in English literature. He has worked as a teacher in Japan, where he has lived on and off, and as a writer of English lessons for Japanese Web sites. The Gargoyle, the product of seven years' worth of research and composition, is his first book. Davidson lives in Winnipeg, Manitoba.
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You spent seven years writing The Gargoyle, a novel begun in your thirties. What was your starting point?
When I first moved to Japan, teaching English and writing for Japanese Web sites, I wrote a series of letters to a close friend. In these letters, a character started to pop up in the correspondence, taking it over whenever she could wrestle away control of my pen. She arrived with wild hair and blue-green eyes, ranting in front of a church, and her name arrived with her: Marianne Engel. She just kept jabbing at me until I consented to give her more attention. It was clear that she would inhabit a novel.
At the time I was struck with a curiosity about the treatment of severe burn survivors. I recognize that this might seem somewhat specialized and peculiar, but it was directly related to an idea I had for the starting point of a story. I imagine that everyone has had a relationship end and experienced the feeling of having been burned. It is a clichéd image, to be sure, but it is a cliché because it is apt and true. I was intrigued by the idea of a relationship that did not end with the feeling of being burned, but one that began with such a feelingtaken to the most ...
Blood at the Root
"A gripping, timely, and important examination of American racism."
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