Tony Earley is the Samuel Milton Fleming Chair in English at Vanderbilt. He received his M.F.A. in Creative Writing from the University of Alabama and has taught at Vanderbilt since 1997. He has been named one of the "twenty best young fiction writers in America" by The New Yorker and one of the "Best of Young American Novelists" by Granta.
His books include a collection of short storeis, Here We Are in Paradise: Stories (1994); a novel, Jim the Boy (2002); and a collection of personal essays, Somehow Form a Family: Stories That Are Mostly True (2001). His stories have also appeared in The New Yorker, Harper's, Esquire, and Best American Short Stories. His work has been widely anthologized as well as translated into a number of different languages.
At Vanderbilt, he teaches beginning, intermediate, and advanced fiction workshops as well as a seminar on Hemingway and American fiction.
About This Biography
This biography was last updated on 01/08/2014. We try to keep BookBrowse's biographies both up to date and accurate, but with over 2500 lives to keep track of it's inevitable that some won't be as current or as complete as we would like. So, please help us - if the information about a particular author is out of date, inaccurate or simply very short, and you know of a more complete source, please let us know. Authors and those connected with authors: If you wish to make changes to your bio, send your complete biography as you would like it displayed so that we can replace the old with the new.
An interview with Tony Earley, before the publication of Jim The Boy (2000)
Who and what are your influences?
My wife has pointed out that everyone in my family knows how to tell a story. Apparently, this isn't true for all families. So I guess my family was my earliest and probably most profound influence. That I was able to write about the Depression without having to do a lot of research is because a large part of my family's story stockpile is about life during that time. I feel like I've almost lived in it myself. When my grandmother talks about the way things were, I can almost see it.
The influence other writers have had on me is harder to track. I've read thousands of books, and I probably learned something from all of them. But how do you figure out what? My two favorite books, though, My Antonia and Death Comes for the Archbishop, are both by Willa Cather. I don't know if Cather's had the greatest influence on me, but she's the one writer whose influence I would most hate to be without.
Do you consider yourself to be a Southern writer? Do you identify more with the grand tradition of Southern literature or with today's young literary writers?
I consider myself a southern writer ...
Blood at the Root
"A gripping, timely, and important examination of American racism."
- PW Starred Review
Solve this clue:
and be entered to win..
Visitors can view some of BookBrowse for free. Full access is for members only.
Your guide toexceptional books
BookBrowse seeks out and recommends books that we believe to be best in class. Books that will whisk you to faraway places and times, that will expand your mind and challenge you -- the kinds of books you just can't wait to tell your friends about.