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Published in USA
Sep 2013
336 pages
Genre: Historical Fiction
Publication Information
It's the 19th century on the Gulf Coast, a time of opportunity and lawlessness. After escaping the Texas brothel where she'd been a virtual prisoner, Lucinda Carter heads for Middle Bayou to meet her lover, who has a plan to make them both rich, chasing rumors of a pirate's buried treasure.
Meanwhile Nate Cannon, a young Texas policeman with a pure heart and a strong sense of justice, is on the hunt for a ruthless killer named McGill who has claimed the lives of men, women, and even children across the frontier. Who - if anyone - will survive when their paths finally cross?
As Lucinda and Nate's stories converge, guns are drawn, debts are paid, and Kathleen Kent delivers an unforgettable portrait of a woman who will stop at nothing to make a new life for herself.
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"Starred Review. A cinematic but refreshingly unsentimental take on the classic Western, starring a woman who is no romantic heroine, but a definite survivor." - Kirkus
"That Lucinda and Nate's paths will cross is inevitable, but Kent ditches predictable romance for a tense, unsparing look at the price we'll pay to get what we think we want." - Publishers Weekly
"Kent has built a well-paced story, filled with twists and turns that will surprise most readers. A solid choice for those interested in a Western, a thriller, a historical novel, or even just something new." - Library Journal
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Kathleen Kent, a national bestselling author and a tenth-generation descendant of Martha Carrier, was awarded the David J. Langum, Sr. Prize in American Historical Fiction. In her first book, The Heretic's Daughter, which has been published in over a dozen countries, she paints a haunting portrait, not just of Puritan New England but also of one family's deep and abiding love in the face of fear and persecution. The Traitor's Wife, originally published in hardcover as The Wolves of Andover, is her second novel.
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"Berlin's new book is a marvel, filled with deeply touching stories about lives on the fringes."—NPR
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