The Inventor and the Tycoon Summary and Reviews

The Inventor and the Tycoon

A Gilded Age Murder and the Birth of Moving Pictures

by Edward Ball

The Inventor and the Tycoon

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Book Summary

One hundred and thirty years ago Eadweard Muybridge invented stop-motion photography, anticipating and making possible motion pictures. He was the first to capture time and play it back for an audience, giving birth to visual media and screen entertainments of all kinds. Yet the artist and inventor Muybridge was also a murderer who killed coolly and meticulously, and his trial is one of the early instances of a media sensation. His patron was railroad tycoon (and former California governor) Leland Stanford, whose particular obsession was whether four hooves of a running horse ever left the ground at once. Stanford hired Muybridge and his camera to answer that question. And between them, the murderer and the railroad mogul launched the age of visual media.

Set in California during its frontier decades, The Tycoon and the Inventor interweaves Muybridge's quest to unlock the secrets of motion through photography, an obsessive murder plot, and the peculiar partnership of an eccentric inventor and a driven entrepreneur. A tale from the great American West, this popular history unspools a story of passion, wealth, and sinister ingenuity.

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Reviews

Media Reviews

"A skillfully written tale of technology and wealth, celebrity and murder and the nativity of today's dominant art and entertainment medium." - Kirkus Reviews

"While the author's research and passion for the subject reaffirm Muybridge's place as a pioneer of 19th-century photography and motion pictures, Ball's emphasis on Muybridge's 1874 murder of his wife's lover and his eventual acquittal - brought about by a defense team arranged by Stanford - falls short of scandalous drama. It is a minor default in an otherwise enlightening tale of power, the wedding of art and technology, and tragedy." - Publishers Weekly

"National Book Award winner Ball (Slaves in the Family ) leaves the South for a work that combines art, science, true crime, and history-in-the-making in rough-and-tumble Gilded Age San Francisco. Now, that should attract readers." - Library Journal

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Edward Ball is the author of four works of nonfiction, including the bestselling, National Book Award-winning Slaves in the Family. Born and raised in the South, he attended Brown University and received his MFA from the University of Iowa before coming to New York and working as an art critic for the Village Voice. He lives in Connecticut and teaches writing at Yale University.

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