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Theophobia: Book summary and reviews of Theophobia by Bruce Beasley

Theophobia

American Poets Continuum

by Bruce Beasley

Theophobia by Bruce Beasley X
Theophobia by Bruce Beasley
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  • Published Oct 2012
    112 pages
    Genre: Poetry & Novels in Verse

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Book Summary

Theophobia is the latest volume in Bruce Beasley's ongoing spiritual meditation which forms a kind of postmodern devotional poetry in a reinvention of the tradition of John Donne, George Herbert, Emily Dickinson, Gerard Manley Hopkins, and T. S. Eliot. Theophobia is structured around a series of poems called "Pilgrim's Deviations" and forms a deviant and deviating pilgrimage through science, history, politics, and popular culture. Beasley seeks the Biblical Kingdom of God among Dolly the cloned sheep, the wonders and horrors of extremophilic creatures living in astonishing intensities of temperature, robotic phone operators, and Wikipedia's explanation of the mysteries of the Holy Spirit.

Bruce Beasley is the author of six poetry collections, most recently The Corpse Flower: New and Selected Poems (University of Washington Press, 2007). He has won fellowships from the NEA and the Artist Trust of Washington and three Pushcart Prizes.

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Reviews

Media Reviews

"Starred Review. Careful, sympathetic attention will produce pleasure in Beasley's collisions between curiosity and doubt, as the newest oddities of the life sciences, and the oddest words he can find, crash into dark fears and grapple with ancient questions." - Publishers Weekly

"Beasley's reading in mysticism has, above all, animated his lyrical acuity. He draws from these traditions not merely for their substance, but also to enhance his musical chops. And when he displays those chops, the results can be majestic … a fluency and rhetorical control that no other poet of his generation can match." - David Wojahn, The Kenyon Review

Bruce Beasley's Theophobia is that rare (impossible?) thing: a prayer in the language of the illegible, wherein, 'As a kid I always thought it went / Our Father which aren't / in heaven, and sat / staring at His stained-glass throne, wondering / where instead He were.'" - T.R. Hummer

This information about Theophobia was first featured in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.

Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.

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Author Information

Bruce Beasley

Bruce Beasley is the author of six collections of poems, most recently The Corpse Flower: New and Selected Poems (University of Washington Press, 2007). His previous collection, Lord Brain, an extended meditation on neuroscience, cosmology, theology, and language, won the University of Georgia Press' Contemporary Poetry Series Award and was published in 2005.

Beasley won the 1996 Colorado Prize for Poetry in 1996 for Summer Mystagogia, selected by Charles Wright, and the 1994 Ohio State University Press/Journal Award for The Creation.

Wesleyan University Press published his books Spirituals (1988) and Signs and Abominations (2000). He has won fellowships from the National Endowment for the Arts and the Artist Trust of Washington and three Pushcart Prizes in poetry. His work also appears in The Pushcart Book of Poetry: The Best Poems from the First Thirty Years of the Pushcart Prize, as well as other anthologies including Lyric Postmodernisms: An Anthology of Contemporary Innovative Poetries, Under 35: The New Generation of American Poets; Under the Rock Umbrella: Contemporary Poets from 1951-1977; and American Alphabets: 25 Contemporary Poets. His poems appear widely in such journals as The Kenyon Review, Southern Review, New American Writing, Field, and Virginia Quarterly Review.

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