A Burton and Swinburne Adventure
by Mark Hodder
It is 1863, but not the one it should be. Time has veered wildly off course, and moves are being made that will lead to a devastating world war. Prime Minister Lord Palmerston believes that by possessing the three Eyes of Naga he'll be able to manipulate events and avoid the war. He already has two of the stones, but he needs Sir Richard Francis Burton to recover the third. For the king's agent, it's a chance to return to the Mountains of the Moon to make a second attempt at locating the source of the Nile. But a rival expedition led by John Hanning Speke stands in his way, threatening a confrontation that could ignite the very war that Palmerston is trying to avoid!
Caught in a tangled web of cause, effect, and inevitability, little does Burton realize that the stakes are far higher than even he suspects.
A final confrontation comes in London, where, in the year 1840, Burton must face the man responsible for altering time - Spring Heeled Jack!
Burton and Swinburne's third adventure completes the three-volume story arc begun in The Strange Affair of Spring Heeled Jack and The Curious Case of the Clockwork Man.
"Starred Review. Enthralling, dizzying and as impressive as they come." - Kirkus Reviews
"The subsequent cognitive dissonance, relativism, and rapid obsolescence feel more slipstream than steampunk. Hard SF fans may get impatient, but everyone else will be well entertained." - Publishers Weekly
"Burton and Swinburne's third adventure is filled with eccentric steam-driven technology, grotesque characters, and bizarre events." - The Geek Curmudgeon
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Winston Churchill once asked a party guest what he was up to these days. "I'm working on a novel," the guest replied. "Ah," Winston responded. "Neither am I." I spent a lot of my life not being a novelist. I wasn't one during my teens, when I was reading Edgar Rice Burroughs, Robert E. Howard, Mike Moorcock, Fritz Leiber, etc. Nor was I one in my 20s, when I read Dickens and Thackery and H. G. Wells and Sir Arthur Conan Doyle. In my 30s, I moved on to modern literary greats for a while before happily drifting back to sci-fi and fantasy and horror. I still wasn't a novelist.
Then along came my 40s and finally I thought to myself: "You've wanted to write novels since you were 11; you'll never do it until you actually sit down and start writing!"
So that's what I did.
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