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The End: Book summary and reviews of The End by Ian Kershaw

The End

The Defiance and Destruction of Hitler's Germany, 1944-1945

by Ian Kershaw

The End by Ian Kershaw X
The End by Ian Kershaw
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Book Summary

From the preeminent Hitler biographer, a fascinating and original exploration of how the Third Reich was willing and able to fight to the bitter end of World War II.

Countless books have been written about why Nazi Germany lost World War II, yet remarkably little attention has been paid to the equally vital question of how and why it was able to hold out as long as it did. The Third Reich did not surrender until Germany had been left in ruins and almost completely occupied. Even in the near-apocalyptic final months, when the war was plainly lost, the Nazis refused to sue for peace. Historically, this is extremely rare.

Drawing on original testimony from ordinary Germans and arch-Nazis alike, award-winning historian Ian Kershaw explores this fascinating question in a gripping and focused narrative that begins with the failed bomb plot in July 1944 and ends with the German capitulation in May 1945. Hitler, desperate to avoid a repeat of the "disgraceful" German surrender in 1918, was of course critical to the Third Reich's fanatical determination, but his power was sustained only because those below him were unable, or unwilling, to challenge it. Even as the military situation grew increasingly hopeless, Wehrmacht generals fought on, their orders largely obeyed, and the regime continued its ruthless persecution of Jews, prisoners, and foreign workers. Beneath the hail of allied bombing, German society maintained some semblance of normalcy in the very last months of the war. The Berlin Philharmonic even performed on April 12, 1945, less than three weeks before Hitler's suicide.

As Kershaw shows, the structure of Hitler's "charismatic rule" created a powerful negative bond between him and the Nazi leadership - they had no future without him, and so their fates were inextricably tied. Terror also helped the Third Reich maintain its grip on power as the regime began to wage war not only on its ideologically defined enemies but also on the German people themselves. Yet even as each month brought fresh horrors for civilians, popular support for the regime remained linked to a patriotic support of Germany and a terrible fear of the enemy closing in.

Based on prodigious new research, Kershaw's The End is a harrowing yet enthralling portrait of the Third Reich in its last desperate gasps.

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Reviews

Media Reviews

"Starred Review. Kershaw's comprehensive research, measured prose, and commonsense insight combine in a mesmerizing explanation of how and why Nazi Germany chose self-annihilation." - Publishers Weekly

"This is an essential work by a distinguished historian; valuable for all collections." - Library Journal

"A carefully considered and powerfully told saga of a national suicide." - Kirkus

This information about The End was first featured in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.

Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.

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Author Information

Ian Kershaw

Ian Kershaw is the author of Fateful Choices; Making Friends with Hitler, which won the Elizabeth Longford Prize for Historical Biography; and the definitive two-volume biography of Hitler, Hitler 1889-1936: Hubris and Hitler 1936-1945: Nemesis. The first volume was shortlisted for the Whitbread Biography Award and the Samuel Johnson Prize for Nonfiction, and the second volume won the Wolfson Literary Award for History and the inaugural British Academy Prize.

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