Readers' rating:
Published May 2009
512 pages
Genre: Fantasy, Sci-Fi, Speculative, Alt. History
Publication Information
Book Three in the New York Times bestselling series.
Nicholas Flamel's heart almost broke as he watched his beloved Paris crumble before him. The city was destroyed by Dee and Machiavelli, but Flamel played his own role in the destruction. Sophie and Josh Newman show every sign of being the twins of prophecy, and Flamel had to protect them and the pages from the Dark Elders.
But Nicholas grows weaker with each passing day. Perenelle is still trapped in Alcatraz, and now that Scatty has gone missing, the group is without protection. Except for Clarent—the twin sword to Excalibur. But Clarent’s power is unthinkable, its evil making it nearly impossible to use without its darkness seeping into the soul of whoever wields it.
If he hopes to defeat Dee, Nicholas must find an Elder who can teach Josh and Sophie the third elemental magic—Water Magic. The problem? The only one who can do that is Gilgamesh, and he is quite, quite insane.
"Ending in a welter of revelations, reunions and unresolved plotlines, this page-turner promises plenty of action to come." - Kirkus Reviews
"Immersively imagined, this series remains a great choice to fill the post-Potter vacuum." - Booklist. Grades 7-10.
"This book is a must-read for fans of the series, but even they will tire if the author doesn't get to the point with reasonable dispatch." - School Library Journal
This information about The Sorceress was first featured
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Irish-born Michael Scott began writing over twenty-five years ago, and is one of Ireland 's most successful and prolific authors, with one hundred titles to his credit, spanning a variety of genres, including fantasy, science fiction and folklore. He writes for both adults and young adults and is published in thirty-seven countries, in twenty languages.
He is considered one of the authorities on the folklore of the Celtic lands and is credited with the resurgence of interest in the subject in the mid-1980s. His collections, Irish Folk & Fairy Tales, Irish Myths & Legends and Irish Ghosts & Hauntings have remained continuously in print for the past twenty years and are now included amongst the definitive and most-quoted works on the subject.
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